Day 26 Brandy Colbert

February 26, 2015



Pointe may be Brandy’s first published novel, but it is not her first attempt at writing. She is a magazine journalist. Add that to her tap and jazz dance training and you have the perfect person to write about ballet. Her life story is riveting and so is Pointe. After learning about Brandy, you will not be able to resist the urge to read her first novel. The Brown Bookshelf is honored to feature Brandy on 28 Days Later 2015.

The Journey

I’ve wanted to be an author since I was seven years old (at least that’s the first time I documented my aspiration), and have been writing stories since then. I took a bit of a break in college and afterward, while I earned a journalism degree and moved out to Los Angeles to start my career in magazine publishing. Of course I never stopped reading, and I would write sporadically, but I had a hard time finishing projects that I’d started. At the time, I also found it hard to come home and work on my own manuscripts after writing and editing all day at my full-time job.

In 2006, I decided to get serious about pursuing publication. I completed a novel during NaNoWriMo and also signed up for a writing class, as I realized I’d have to start sharing my work with others and get feedback (terrifying!) if I wanted to get published. That project was the first book I’d finished writing since I was a child. It started out as an adult book, but I soon realized the voice wasn’t right. After I switched to teenage characters, I felt like I was on the right track—exploring the issues and lives of teens, as well as writing in their voice.

The Inspiration
I think inspiration can (and should) come from various and unexpected sources. I’m inspired by honest writers, those who aren’t afraid to tackle messy subjects (and even messier characters). Some of my favorites are Chimamanda Ngozie Adichie, Courtney Summers, Colson Whitehead, Aimee Bender, Sarah McCarry, ZZ Packer, and Toni Morrison.

The Back Story
Pointe is the fourth book I’d written since I began actively working toward publication, and it’s strange to look back pointecoveron this now, but I was just about ready to give up if I hadn’t found representation with that book. It was easily the most honest book I’d written to date, and the one I’d put the most work into. I ended up working on it with an agent who was interested in signing me, but unfortunately, once I turned in the final book, we saw that our visions for it were quite different. After that, I queried a few other agents at the top of my list, not expecting to get very far. But much to my surprise, Tina Wexler of ICM requested a full manuscript just a few hours after I’d queried her! She asked for a fairly big revision, which I turned in around six weeks later. She offered representation shortly after that, and just three days after I’d been laid off from my job as a business writer in Chicago.

After three books and four years of rejection from agents, I also didn’t anticipate interest from editors, though I believed in the book and finally had someone else in my corner who did, too. I’d decided to move back to Los Angeles after being laid off, and at the end of my first day driving cross-country, I stopped in Missouri to see my parents and recharge for a few days. And the morning after arriving in my hometown, Tina called to tell me we had an offer from Ari Lewin at Putnam! I was happy to have an offer, but more important, I was thrilled that Ari believed in my book and had some wonderful ideas on how to improve it while staying true to my vision.

The Buzz
Pointe received a starred review from Publishers Weekly, was named a Publishers Weekly Flying Start, is a Cybils Awards finalist, and was named a best book of 2014 by Publishers Weekly, Book Riot, BuzzFeed, the Los Angeles Public Library, and the Chicago Public Library.

The State of the Industry
I think 2014 was a turning point for the children’s books industry in that the conversation on diversity really began to make waves. Many people had noted prior to last year that diversity was an important (and often overlooked) initiative in children’s books, but We Need Diverse Books catapulted it to the forefront, turning a hashtag campaign into a pledge into a nonprofit. I’m so impressed by the group’s commitment to implementing change in the industry, including the provision of publishing internships and grants and awards to writers and authors of color.

When I was growing up, I didn’t need two hands to count the number of black kids in contemporary stories, and it’s sad to me that things aren’t much better so many years later. But I believe the conversation is a great start. And in addition to books that reflect the world around us, we also need diverse authors and agents and editors and publicists and marketing departments—people of color, people with disabilities, people who identify as LGBTQ. I truly believe that if diversity is championed from within the industry, there will be a greater chance of seeing these stories published. And they are stories that desperately need to be told.

For more about Brandy, please check out her website Brandy Colbert. Brandy’s twitter handle is @BrandyColbert.

Posted by Gwendolyn Hooks

Day 25: Georgia McBride

February 25, 2015

georgiamcbrideGeorgia McBride is founder of Georgia McBride Media Group, home of Month9Books, Swoon Romance, and Tantrum Books. She develops content for film and TV, and is also a speculative fiction writer. Georgia founded the #YAlitchat hashtag and weekly chat on Twitter in 2009.

Georgia is one of Publishers Marketplace’s most prolific publishers and has spent most of 2014 atop the editors lists in Young Adult, Digital New Adult and Digital deals. She’s completed over 120 publishing deals on behalf of three imprints in the past 24 months.

Georgia McBride Media Group imprints publish debut authors as well as USA Today and NY Times bestselling author Diane Alberts, Bram Stoker Award nominated author Janice Gable Bashman, Amazon #1 Dystopian authors Abi Ketner and Missy Kalicicki, Amazon US #1 erotica author Kenya Wright, Amazon #1 Children’s Fantasy author Nicole Conway, Amazon UK #1Teen Mythology and Legends author Jen McConnel, and renowned Young Adult authors such as Jackie Morse Kessler, Michelle Zink and Cindy Pon.

On the film and TV side, The Undertakers series has been optioned for film by Moderncine Films with the creator of the Final Destination films attached. Dead Jed: Adventures of a Middle School Zombie has been optioned to Nickelodeon, and Nameless has been optioned to Benderspink.

But wait, there’s more! Ms. McBride’s list of credits is extraordinarily impressive — she is no joke. And we are honoured to share her words here on The Brown Bookshelf.

As the effort to increase diversity in the book community grows with new initiatives such as We Need Diverse Books, Diversity in YA and of course, this very site, I am struck by how many “discussions” are being had about Diversity without anyone addressing the sweeping changes that need to happen in order for that dream to be fully realized.

Talking about the need is a fantastic first step. We have come a long way from ignoring the lack of diversity and refusing to admit there is a problem, to now to freely discussing the need for diversity and challenging those in a position of power to act upon it.

When I first started writing young adult material in 2008, I took a lot of heat from people for a statement I made on Twitter about being afraid my book would be stocked in the back of the bookstore because it is written by an African American writer and features a diverse cast of characters.

Many shouted from behind their screens about how if the book was “good enough,” it would certainly receive the same placement as any other book of its kind. It was a heated discussion that ensued and one that I will never forget. I wondered whether those same folks were naïve, blind, ignorant or just plain crazy. Where they living in the same publishing world I was living in?

I started writing around the time a major publisher took a hit for putting a white teen girl on the cover of a book about a black girl. Shortly thereafter, readers of the Hunger Games went crazy over the possibility that Katniss Everdeen may be cast as other than a white in the film adaptation, despite the author’s own description of the character as having olive-toned skin. Readers, fans and others took to social media to voice their concern, and some even said they would boycott the film if Katniss was not cast as white. Even the author refused to officially define the character’s ethnicity.

Flash forward to today. It’s 2015, and we have only just begun to accept the need for diversity in books for young readers. This is a major step in the right direction, but we need to do more. We need to make sure the images being put into the market are not the same tired stereotypes of non-white youths. We need to make sure that tokenism, in all its forms, is rejected as a response to the need for diversity, and dare I say, we need more people in a position to acquire and publish diverse books to make doing so a priority.
And finally, when we come across an amazing book with diverse characters, we need to simply call it an amazing book, not an amazing “diverse” book. Because by doing so, it is nearly the same as calling me a “black writer” or “black publisher.” After all, it’s not the color of my skin that defines me, but the content of my character. And if we want readers and trade to stop judging books by the color or ethnicity of the characters in them, we must stop calling attention to it ourselves. I would love to hear what you think. Please feel free to comment and I will do my best to respond. Thanks for allowing me to share my opinion and experience with you.

Georgia McBride

You can find more about Georgia McBride at her web site, and connect with her on Twitter.

Day 23: Jerry Craft

February 23, 2015

By Jerry Craft

JerryCraftOffendersComposite_w (1)I published my first book back in 1997. Since then I have written and / or illustrated more than a dozen others. I think the reason why I’ve dedicated my life to get kids to read is because I went through most of my life not enjoying reading whatsoever.  In fact, whoever coined the term “reluctant reader” must have known me as a kid. And as a teen. And even as a young adult. To be honest,  I was a grown man before I ever read a book on my own for enjoyment. It’s not that I couldn’t read, I was an “A” student who made Honor Roll every semester. It was that reading was never anything that was fun. Actually, it was a chore, like mowing the lawn. (Even though there were no lawns in the Washington Heights section of NYC, where I grew up.) And for a kid with a very active imagination, I needed something to grab my attention.  I know my parents read to me as a kid, but once the Dr. Seuss stage passed, I was on my own. Sure, I’d see them read newspapers and magazines, but have few memories of them with books.

In school, reading was always something I HAD to do, there was no getting around it. And believe me, I tried. Books being boring. For one thing, even though I attended schools that were 99% African American, I don’t ever remember having to read a book that featured characters that looked like any of us. Unless you count runaway slaves. So if it wasn’t for Marvel Comics, OffendersCover_w (1)my reading enjoyment would have been close to zero! As a kid I was a huge comic book fan. Each week, I’d anxiously run to the corner candy store in order to buy the latest issues of Spider-Man, X-Men and Fantastic Four. But even then, if the plots had too many non-fighting pages, I’d kind of gloss over all that boring dialogue in order to get to the good stuff. Ka-Blam! But even though I, and many of my classmates, were reading, having a teacher catch you with a comic book was only slightly better than being caught with some kind of illegal contraband. Apparently, they didn’t want any of those “foul things” rotting our fragile little brains. It wasn’t until I reached the 7th grade that I had my first, and probably only, teacher who was a comic book fan. That was refreshing.

And then … as if books didn’t have enough competition with things like stickball, and touch football (way back when kids used to go outside to play) they invented the Atari 2600! That was one of the very first video game systems, for those of you who may not know. And reading for enjoyment went the way of the dinosaur.

In high school, there were a bunch of us who read comics, but unfortunately as I got older, the books that we were supposed to read for got bigger. And more boring. And even less reflective of my life. The memory of having to read William Faulkner’s, “As I Lay Dying,” still haunts me to this day!

Fast forward to college where I attended The School of Visual Arts. Most people who know that I went there, think that I was a cartooning major. But the cartooning classes were so popular that I was never able to actually sign up for one. Instead I majored in advertising copywriting where I wrote headlines for newspaper ads, radio commercials and TV commercials. This was right up my alley. What I wrote could be funny, it could be serious, but whatever it was, it had to be short. Fast forward about 10 years, when I left the struggling advertising world to get a job at King Features

BigPixCoverFinalSyndicate and later at Sports Illustrated for Kids. It was during this time that I had created my Mama’s Boyz comic strip. Again, the writing was funny and short! This was way back when personal computers just started taking off. And for the first time in my life, I found something that I actually ENJOYED reading other than comic books. Software manuals! Really!  I could actually sit down for hours and read a book on how to use Photoshop or Flash. The books were not only huge, nor were they the least bit exciting. But for some reason, I LOVED them!!! Then one day I got an email from a fan of my Mama’s Boyz comic strip. I used to have a page on my website where I showed how slang had changed from my father’s era, to mine, to the current group of teens. After exchanging a few emails, he told me that he was an author and wanted to know if I wanted to swap books with him. Why not? I sent him a copy of Mama’s Boyz: As American as Sweet Potato Pie! (which I had published myself), and a few days later I got a package in the mail with not only one book, but two! And they were long. “Aw crap, I remember thinking, now I HAVE to read both of these books, ‘cause he’s gonna want to know what I think of them.” And so I started the task. By now, I was married and living in Connecticut, so I had a few hours commuting on MetroNorth each day that I could devote to reading them. And you know what, I liked them. In fact, I LOVED them!!! When I was done, I was proud to write my new author friend, Mr. Eric Jerome Dickey and tell him what I thought of Sister, Sister and Friends and Lovers. From that point on, I felt like a superhero who had gotten super powers as a result of some freak accident. I LIKED TO READ! Now it was a matter of catching up on books that I had always heard about, but had never actually read. Classics like The Autobiography of Malcolm X and Invisible Man.

A few years later I had kids. Not wanting them to be reluctant readers like their dad, I literally read to them every single night forZombieZoneCover_wthe first six years of their lives. Maybe longer. And then  they’d read to me. Or we’d do it together. Short books. Long books. Everything we could get our hands on. I even did voices for the characters. Plus I made sure that they saw characters who looked like them. Their bookshelves were filled with names like Eric Velazquez, Bryan Collier, Shadra Strickland, Don Tate, E.B. Lewis, R. Gregory Christie, and anyone whose last name is Pinkney. Then when I decided to write chapter books, there was no better sounding board than the two of them. They were my own private focus group. A few years ago, I was reading them a story that I was working on about 5 middle school bullies who get superpowers. And this time, instead of just sitting back and listening, they (now teenagers) were critical. Very critical. “Dad, no kid would say that,” I remember one of them saying. “Well what would he say?” And they told me. And it was good. After a few sessions of them setting me straight, I decided to make them co-writers. Luckily they accepted. And after about a year of writing, we were overjoyed to see, “The Offenders: Saving the World While Serving Detention!” published. I had not only come full circle, from reluctant reader, to reader. Then to father of readers. Now that they had actually helped to write a book, they had broken through the circle. And that’s something that even a little boy from Washington Heights with an active imagination would have NEVER imagined possible.


Jerry Craft has illustrated and / or written more than two dozen children’s books, comic books and board games. Most recent is a middle grade novel co-written with his two teenage sons, Jaylen and Aren called: “The Offenders: Saving the World While Serving Detention!” — an adventure story that teaches kids about the effects of bullying. He is the creator of Mama’s Boyz, a comic strip that won four African American Literary Awards and was distributed by King Features from 1995 – 2013. He also illustrated “The Zero Degree Zombie Zone,” for Scholastic. For more info email him at or visit

Day 22: Lucille Clifton

February 22, 2015

“Poetry is a matter of life, not just a matter of language”

– Lucille Clifton

Every year, people create lists of classic children’s titles. A celebrated poet who wrote more than 20 books for kids, Lucille Clifton’s work should be included. Her eight book Everett Anderson picture book series broke ground for its portrayal of an African-American boy in the city whose experiences ranged from celebrating the arrival of Christmas and accepting the birth of a sibling to coping with the death of a parent and trying to help a hurting friend. Clifton’s Everett, kind, authentic and sensitive, was a reflection of kids around the country who didn’t see themselves in books until him.

“Mom wrote children’s books to fill an obvious void,” wrote her daughters Sidney, Gillian and Alexia Clifton. “Prior to the publishing of Some of the Days of Everett Anderson, there were very few children’s books depicting the lives of black and other children of color.  And of those few; even fewer were written by black or ethnic authors. Creating characters whose lives, language and experience were a mirror to the lives, languages and experiences of thousands of underserved children across the country was important to her, and her pioneering contributions lit the way for the many prolific authors and illustrators of color whose works endure in the marketplace today.”

Clifton’s writing journey began in the adult world of poetry.  Her early work was published in the anthology The Poetry of the Negro 1746-1970 edited by Langton Hughes and Arna Bontemps. She released her first book of verse, Good Times, in 1969. It was named one of the 10 best books of the year by the New York Times.

Just a short time later, in 1970, Clifton made her children’s book debut.  Horn Book described Some of the Days of Everett Anderson (illustrated by Evaline Ness) like this: “The simple, short verses…celebrate the boy’s joie de vivre….Excellent for reading aloud as well as for viewing.” And so a new children’s book star began to fill homes and schools with her light.

Her acclaimed release, Everett Anderson’s Goodbye (illustrated by Ann Grifalconi), won the 1984 Coretta Scott King Author Award and was a Reading Rainbow title. Along with her beloved Everett titles, Clifton wrote gems including All of Us Come ‘Cross the Water (illustrated by John Steptoe), Three Wishes (illustrated by Stephanie Douglas) and The Lucky Stone (illustrated by Dale Payson). The Poetry Foundation wrote: “Her books for children were designed to help them understand their world and facilitate an understanding of black heritage specifically, which in turn fosters an important link with the past.”

Clifton, mother of six children, made writing part of daily life.


(L to R): Gillian, Fredrica (deceased 2000), Lucille (deceased 2010), Alexia, Sidney, Channing (deceased 2004), Graham. Shared with permission of the Clifton family.

“As children, we watched our mother type on her old-fashioned typewriter at the dining room table.  For us, this is what mothers did; and where they did it; create worlds, play games, and share meals in the same place.  Her creating space was her sanctuary, and ours.  So it is with her every word.”

– Sidney, Gillian, and Alexia Clifton

She drew from the past and the triumphs and trials she saw around her every day and gave that back to us. A National Book Award winner, Pulitzer Prize nominee and the first black woman to win the distinguished Ruth Lilly Poetry Prize, Lucille Clifton deserves a place of honor and remembrance for her children’s books too. Her stories, woven with the love of black culture and history and filled with the magical stuff of life, are lyrical tributes to children whose experiences she wanted the world to see. Clifton died in 2010, but her beautiful work lives on.

Her website-in-development,, has wonderful photos and book covers of some of her treasured titles. Bookmark it and check back for the official launch.

Special thanks to Sidney, Gillian and Alexia Clifton for providing quotes and a family photo and to author Miranda Paul for connecting The Brown Bookshelf with the Clifton family.

DAY 18: Misty Copeland

February 18, 2015

Life in Motion Photo Credit Gregg Delman

Children’s literature scholar Rudine Sims Bishop says that books have the power to be mirrors, windows and sliding glass doors. Firebird (Putnam, 2014), the award-winning picture book written by American Ballet Theater soloist Misty Copeland and illustrated by Christopher Myers, is a beautiful celebration of that truth. In her children’s book debut, Misty shares the touching story of a girl whose faith in her dancing dreams falters until  she meets a reflection of who she can be.

Entering the world of ballet at 13, Misty looked for images of herself too. Through her talent, commitment and passion, she became the third African American soloist in the history of the American Ballet Theater. The previous black soloist had danced two decades before. Where was her mirror?  Misty found it in pioneering ballerina Raven Wilkinson, a soloist of the 1950s Ballet Russe.

Firebird, the title role Misty played in the ballet of the same name, is a love letter to kids who see a “longer than forever” distance between where they are and the soaring heights they can reach. Misty’s poetic story soothes and inspires, affirms and applauds.

We are honored to spotlight Misty Copeland on Day 18:

How did your beautiful picture book, Firebird, come to be? Please share your path to publication. What were the toughest and most rewarding moments?

The children’s book was actually the first idea. I love working with kids and mentoring young people so the children’s book was going to be an extension of my desire to bring the performing arts and classical ballet to kids. My amazing editor, Stacey Barney, who’d been talking about a children’s book with my manager, firebirdhappened to be meeting with Christopher Myers who mentioned that he’d wanted to find a way for us to work together.  I think it was meant to be, this wonderful collaboration. Chris and I got to know one another throughout my writing process and the creation of his illustrations. I came to know more about him as an illustrator and he grew to know me as a ballerina and emerging writer. He even came to some of my performances and got to know my mentor, the legendary ballerina Raven Wilkinson. It was out of the beautiful mentoring relationship between Raven and me that the story throughout the pages of FIREBIRD was written and evolved.

Your lyrical style and voice, full of emotion and authenticity, draws readers in right away. How did your life journey inform and shape your book? Why was it important to tell that story?

From the time that I started taking ballet classes at the age of 13, there has been interest in my story. I understand because I am considered an “unlikely ballerina.” But rather than allow my differences to be an obstacle, I decided to stand up and be an example of what can happen when you’re committed to doing something that you love. So many young girls and women of color before and since me have been told that ballet isn’t for them. By telling my story and being on the stage, I hope that ballet will be seen as a possibility and a world in which they can exist and thrive, both on the stage and behind the scenes.

Your letter to the reader is lovely and meaningful. There’s a lot of buzz right now about diversity in children’s books. Your book shows why it matters. Could you expand on this quote: “But when I opened up ballet books, I didn’t see myself. I saw an image of what a ballerina should be, and she wasn’t me, brown with tendrils sweeping her face. I need to find ME. This book is you and me . . .” How does your book expand “the idea of beauty and art”? How does it empower ballerinas with big dreams?

I think that our life choices often reflect how we see ourselves and if we see ourselves. It’s important to see a living, breathing person who is on a path that may be similar to your own. I remember when I discovered Raven Wilkinson, I felt as if I’d found a missing piece of myself. I identified with her as a black woman and a ballerina. Today, it makes a difference to have her and so many other strong, successful, black women in my life who lift me up when I feel like I can’t do it on my own. It’s their encouragement and support that often keeps me going. That’s what I hope FIREBIRD might do for little girls who need to see a reflection of themselves in such a beautiful, inspiring way.

Your book has won many accolades including starred reviews and landing on best lists. How do you measure literary success? What achievements and experiences have made you most proud?

I measure literary success by young people and/or their parents telling me that the book really spoke to them or they were able to take something from it and use it within their own lives. Or better yet, they’ve started or returned to taking ballet classes. And even better, they bought a ticket to see a ballet. All of that says success to me because in the end, this has never been about me, rather raising awareness about the beauty of ballet.

What do you hope young people take away from your story?

Hope. Perseverance. I hope that they take away that all things are possible when you give it your all.

What’s next for you as a children’s book author? 

I’ve enjoyed this journey so much and working with Chris has been truly amazing. Right now, I’m incredibly busy with my ballet career, learning several new roles, but I’d love to do another children’s book. In the meantime, I’m still focused on spreading the word about FIREBIRD.

What’s your greatest joy?

Dancing is my greatest joy. Being on the stage or in the rehearsal studio is where I release.

The Buzz on Firebird:

2015 Coretta Scott King Illustrator Award

2015 Ezra Jack Keats Honor Award for Writing

Essence Magazine Best Children’s Book of 2014

“The language soars into dizzying heights of lyrical fancy… Myers’ artwork… pulsate[s] with kinetic synergy… A starscape filled with visual drama and brilliance.”

Kirkus Reviews, starred review

“Ballet dancer Misty Copeland makes her children’s book debut with this inspiring love letter to young people, containing breathtaking illustrations of airborne dancers by Caldecott Honor artist Christopher Myers… Brava!”

Shelf Awareness, starred review

Learn more about Misty Copeland here.


Day 17 Betty K. Bynum

February 17, 2015


Betty K. Bynum is a woman who dreams big. Plans big. Achieves big. Her dreams of acting resulted in parts in ER, Law & Order, and Death At A Funeral. She is also a journalist, a screenwriter, and a playwright. One day, Betty recognized the lack of diverse books featuring children of color. So she turned her dreams toward writing children’s books.

“The I’m A Girl Collection” is the result of her efforts. When she could not find a publisher who was on board with her vision, Betty stepped up and published the first book herself. Most authors who venture into publishing face the almost insurmountable task of distribution. Betty found the Target Corporation. Now her book, I’m a Pretty Little

FrontCover(1)Black Girl is sold in Target stores nationwide and online. It features Mia, an African American girl. Betty is the consummate entrepreneur. She designed tee shirts for little girls. But shirts didn’t satisfy Betty.

What does every little girl wish for? A gorgeous doll of course. That was Betty’s next step. She collaborated with doll maker Madame Alexander, who has licensing deals with Disney, Wizard of Oz, Gone with the Wind, Fancy Nancy, Pinkalicious, and Angelina Ballerina.

An 18-inch Mia debuted at the North American International Toy Fair in NY yesterday. The Toy Fair is a national event with over 26,000 toy professional attendees in 2014. Of course, Betty traveled to New York to introduce Mia to the masses. doll

Her message is simple. The I’m A Girl Collection celebrates——YOU!
You can read more about Betty and her projects at The I’m A Girl Collection.








Posted by Gwendolyn Hooks

Day 15: Faith Ringgold

February 15, 2015

FaithTar_Beach_1.3MBMs. Ringgold is a painter, writer, speaker, mixed media sculptor and performance artist. She lives and works in Englewood, New Jersey.

By Faith Ringgold

I always wanted to be a writer, but never knew I would be. I was an artist, even as a child I knew that. Could I be two things? I don’t think most people think of pursuing two professions simultaneously, but they could. People are constantly asking me, now that they know I am a published author, if I have given up painting. And when I began to make paintings in the quilt format they wanted to know if I had given up painting and even before that when I had made masks and sculptures and did performances they wanted to know if I had given up painting. Why do we have to give up something to have something more? We don’t is the answer. We can have all our dreams and often times all we have to do is reach up and grab them, and hold on while we work hard to make them our own.

Kids often want to know about Faith Ringgold’s writing process:

Harlem_Ren_CoverAbout the Writing Process:

The first step is the idea for the story. When Ms. Ringgold has an idea for a story, she writes it down and practices telling it to her husband, daughters, friends and everyone that may want to hear it. She becomes comfortable with the story and makes it her own by telling and retelling it many times.  Ms. Ringgold’s story changes a little during each telling until it’s just right. When the story is finished it’s divided up to fit onto a designated number of pages. There could be anywhere from 1 to 40 pages (there would need to be 1 – 40 sections of text) depending on the project.

The sections of text are placed at the bottom of new blank pieces of textured paper.  A practice drawing is made (in a seperate sketchbook) to illustrate each section of text. The paintings are  made on the textured pages and are based on the practice drawings. The finished drawings and story are sent to the publisher for printing and distribution to book stores, libraries and young students like you.

About the Book: The Harlem Renaissance Party (Amistad, 2015)

Caldecott Honor artist Faith Ringgold takes readers on an unforgettable journey through the Harlem Renaissance when Lonnie and his uncle Bates go back to Harlem in the 1920s. Along the way, they meet famous writers, musicians, artists, and athletes, from Langston Hughes and W.E.B. Du Bois to Josephine Baker and Zora Neale Hurston and many more, who created this incredible period. And after an exciting day of walking with giants, Lonnie fully understands why the Harlem Renaissance is so important.

Faith Ringgold’s bold and vibrant illustrations capture the song and dance of the Harlem Renaissance while her story will captivate young readers, teaching them all about this significant time in our history. A glossary and further reading list are included in the back of the book, making this perfect for Common Core.

The Buzz: 

“Black Pride is Strong in this homage.” -Kirkus


Read her blog at:


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