Nominations Now Open for 28 Days Later!

September 1, 2014

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Happy Labor Day!

As today is the day our nation has set aside for celebrating the myriad social and economic contributions of our American labor force (which all too often tends to go unlauded the rest of the year), it is more than fitting that we’ve chosen today to open up nominations for 28 Days Later-2015!

28 Days Later is The Brown Bookshelf’s flagship initiative, a month-long showcase of the best in Picture Books, Early Readers, Chapter Books, Middle Grade and Young Adult novels written and illustrated by African Americans. Each day in February, we will profile a different children’s/young adult author or illustrator, hard-working African American artists who we’ve identified as creators of quality literature for young people!

The nominations we seek should be for authors, illustrators, or books that meet the following criteria:

*New Children’s or Young Adult book releases

*Children’s or Young Adult books that have “flown under the radar”

*African-American authors or illustrators

*Titles published by a traditional publisher for the trade market.

 

Nominations will be accepted beginning today, September 1, through October 31, 2014. To nominate an author or illustrator, simply post a comment here, or email us at email@thebrownbookshelf.com. Feel free to nominate as many individuals (or books) as you like!

Note: To avoid nominating individuals who have already been honored, please check out our previous honorees at the following links:

28 DAYS LATER – 2014

28 DAYS LATER – 2013

28 DAYS LATER – 2012

28 DAYS LATER – 2011

28 DAYS LATER – 2010

28 DAYS LATER – 2009

28 DAYS LATER – 2008

 

Thanks in advance for your participation in this year’s campaign. We can’t wait to see who you nominate!


Our Mailbox

August 25, 2014

Fortunately, we receive books! The following are upcoming or recently published books written by African American authors, or authors of any background, but feature diverse main characters.

51wrbp1a9kl-_sx258_bo1204203200_If Kids Ran the World
by Leo & Diane Dillon
Scholastic, Blue Sky Press, 2014

From the publisher:

Two-time Caldecott Medalists Leo and Diane Dillon show children playfully creating a more generous, peaceful world where everyone shares with others.

All roads lead to kindness in this powerful final collaboration between Leo and Diane Dillon. In a colorful tree house, a rainbow of children determine the most important needs in our complex world, and following spreads present boys and girls happily helping others. Kids bring abundant food to the hungry; medicine and cheer to the sick; safe housing, education, and religious tolerance to all; and our planet is treated with care. Forgiveness and generosity are seen as essential, because kids know how to share, and they understand the power of love.

The book closes with examples of fun ways to help others–along with FDR’s “Four Freedoms” and “The Second Bill of Rights,” which illuminate these concepts.

A tribute to peace and a celebration of diverse cultures, this last collaboration by the Dillons captures the wondrous joy of all people, and the unique beauty within each one of us shines forth. If kids ran the world, it would be a better place–for grown-ups, too.

Review: Publisher’s Weekly *Starred review* 

Little Melba and her Big Trombone
by Katheryn Russell-Brown
illustrated by Frank Morrisonmain
Lee & Low Books, 2014

From the publisher:
Melba Doretta Liston loved the sounds of music from as far back as she could remember. As a child, she daydreamed about beats and lyrics, and hummed along with the music from her family’s Majestic radio.

At age seven, Melba fell in love with a big, shiny trombone, and soon taught herself to play the instrument. By the time she was a teenager, Melba’s extraordinary gift for music led her to the world of jazz. She joined a band led by trumpet player Gerald Wilson and toured the country. Overcoming obstacles of race and gender, Melba went on to become a famed trombone player and arranger, spinning rhythms, harmonies, and melodies into gorgeous songs for all the jazz greats of the twentieth century: Randy Weston, Duke Ellington, Count Basie, Billie Holiday, and Quincy Jones, to name just a few.

Brimming with ebullience and the joy of making music,Little Melba and Her Big Trombone is a fitting tribute to a trailblazing musician and a great unsung hero of jazz.

Review: Kirkus 

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61rKOPiTrYL._SY344_BO1,204,203,200_The Zero Degree Zombie Zone
by Patrik Henry Bass, illustrated by Jerry Craft
Scholastic Press, 2014

From the publisher:
In the spirit of Tony Abbott’s UNDERWORLD books, comes the new kid on the block – Barkari Katari Johnson!
Shy fourth-grader Bakari Katari Johnson is having a bad day. He’s always coming up against Tariq Thomas, the most popular kid in their class, and today is no different. On top of that, Bakari has found a strange ring that appears to have magical powers–and the people from the ring’s fantastical other world want it back! Can Bakari and his best friend Wardell stave off the intruders’ attempts, keep the ring safe, and stand up to Tariq and his pal Keisha, all before the school bell rings? Media celebrity and Essence Magazine entertainment producer, Patrik Henry Bass delivers adventure, fun, fantasy and friendship in this illustrated action-packed adventure starring an African American boy hero and his classmates.
Review: Kirkus:

9780545609616_p0_v1_s260x420Unstoppable Octobia May
by Sharon Flake
Scholastic Press, 2014

From the publisher:
Bestselling and award-winning author, Sharon G. Flake, delivers a mystery set in the 1950s that eerily blends history, race, culture, and family.

Octobia May is girl filled with questions. Her heart condition makes her special – and, some folks would argue, gives this ten-year-old powers that make her a “wise soul.” Thank goodness for Auntie, who convinces Octobia’s parents to let her live in her boarding house that is filled with old folks. That’s when trouble, and excitement, and wonder begin. Auntie is non-traditional. She’s unmarried and has plans to purchase other boarding homes and hotels. At a time when children, and especially girls, are “seen, not heard,” Auntie allows Octobia May the freedom and expression of an adult. When Octobia starts to question the folks in her world, an adventure and a mystery unfold that beg some troubling questions: Who is black and who is “passing” for white? What happens when a vibrant African American community must face its own racism?

And, perhaps most important: Do vampires really exist? In her most and probing novel yet, Sharon G. Flake takes us on a heart-pumping journey.

Review: Kirkus 

51aC4bZQfxL._SY344_BO1,204,203,200_

Zane and the Hurricane: A Story of Katrina
by Rodman Philbrick
Scholastic, Blue Sky Press, 2014

From the publisher:

Newbery Honor author Rodman Philbrick presents a gripping yet poignant novel about a 12-year-old boy and his dog who become trapped in New Orleans during the horrors of Hurricane Katrina.

Zane Dupree is a charismatic 12-year-old boy of mixed race visiting a relative in New Orleans when Hurricane Katrina hits. Unexpectedly separated from all family, Zane and his dog experience the terror of Katrina’s wind, rain, and horrific flooding. Facing death, they are rescued from an attic air vent by a kind, elderly musician and a scrappy young girl–both African American. The chaos that ensues as storm water drowns the city, shelter and food vanish, and police contribute to a dangerous, frightening atmosphere, creates a page-turning tale that completely engrosses the reader. Based on the facts of the worst hurricane disaster in U.S. history, Philbrick includes the lawlessness and lack of government support during the disaster as well as the generosity and courage of those who risked their lives and safety to help others. Here is an unforgettable novel of heroism in the face of truly challenging circumstances.
Review: Publisher’s Weekly *starred review* 

61aO6AF6oaLThe Madman of Piney Woods
by Christopher Paul Curtis
Scholastic Press, 2014
From the publisher:

Bestselling Newbery Medalist Christopher Paul Curtis delivers a powerful companion to his multiple award-winning ELIJAH OF BUXTON.

Benji and Red couldn’t be more different. They aren’t friends. They don’t even live in the same town. But their fates are entwined. A chance meeting leads the boys to discover that they have more in common than meets the eye. Both of them have encountered a strange presence in the forest, watching them, tracking them. Could the Madman of Piney Woods be real?

In a tale brimming with intrigue and adventure, Christopher Paul Curtis returns to the vibrant world he brought to life in Elijah of Buxton. Here is another novel that will break your heart — and expand it, too.

Review: Publisher’s Weekly


Ballerina Girl

July 27, 2014

firebirdbookThis year, two beautiful picture books about black ballerinas hope to dance their way into children’s hearts and hands. The latest is a gorgeous forthcoming debut by American Ballet Theater soloist Misty Copeland titled Firebird, the name of the classic role she was the first black woman to star in.

Published by G.P. Putnam’s Sons and illustrated by Caldecott Honor artist Christopher Myers, Copeland’s work is a love letter to a brown girl who dreams of being a dazzling dancer too. To lift the child, who sees a “longer than forever” distance between herself and her idol, Copeland reveals her journey from ballet dream to determined realization. In a stirring marriage of poetic words and poignant images that affirm and encourage, Copeland and Myers create an evocative landscape in which a new generation of young dreamers and dancers can take flight. The book is available for pre-order now and releases on September 4.

The Buzz on Firebird:

“The language soars into dizzying heights of lyrical fancy… Myers’ artwork… pulsate[s] with kinetic synergy… A starscape filled with visual drama and brilliance.”—Kirkus Reviews, starred review

“An inspirational picture book for children daunted by the gap between their dream and their reality.”—Booklist

starlightIn January of this year, another moving ballet story began weaving its magic. A Dance Like Starlight: One Ballerina’s Dream (Philomel), written by Kristy Dempsey and illustrated by award-winner Floyd Cooper, tells the story of a 1950s Harlem girl inspired by first black prima ballerina Janet Collins.

Like Firebird, the text and illustrations are lyrical and full of heart and movement. But in this historical fiction tale, a girl whose mother works as a seamstress for a ballet school is immersed in the world of dance and dreams of being a prima ballerina. Seeing groundbreaker Collins perform at the Metropolitan Opera turns her dream into something more – a vision of who she can be.

Available now.

The Buzz on A Dance Like Starlight:

“A warm, inspirational collaboration that will resonate in the hearts of all who dream.” —Kirkus Reviews, starred review

” . . . Though the narrator is imagined, the inspirational message is real. Cooper’s art incorporates his signature subtractive process and mixed media in tones of brown and pink to achieve illustrations as beautiful and transporting as the text.” —School Library Journal

Janet Collins Animated Film: Karyn Parsons (Hilary on the Fresh Prince of Bel Air) launched a campaign to raise funds for an animated short film called The Janet Collins Story that would be produced by Parsons’ company, Sweet Blackberry. Check out the campaign here. Great news: It was fully funded. Now, we can look forward to a wonderful film for children about Collins.

Wouldn’t it be cool to share Firebird, A Dance Like Starlight and The Janet Collins Story with kids you know?


Making Our Own Market: DuEwa Frazier

July 23, 2014

We are honoured to welcome DuEwa Frazier to the Brown Bookshelf today. Poet, founder of Lit Noire Publishing, author of DEANNE IN THE MIDDLE, and much, much more — DuEwa is a true wonder woman. Grab your notebook and a glass of iced tea, lemonade, or just some cool, clear water…and prepare to be inspired.

duewa
If I could describe myself in one word, it would be determined. When I graduated from Hampton University as an English major, a few of my classmates asked me what I planned to do after graduation. I told them, “I’m going to be a writer and children’s author.” I didn’t know how I was going to do it but that was my goal and I was determined. Upon graduation I was chosen to be an editorial intern at a teen publication in Massachusetts, my family did not think it was a good idea for me to move to Massachusetts by myself, being so young and right out of college. So I moved back to the Midwest and became an elementary school teacher, I also started graduate school in Secondary English.

Through the 90’s and into the early 2000’s I wrote poetry and children’s stories. In 1999, I moved to my birthplace of Brooklyn. The internet wasn’t quite as booming as it is now, so when I submitted my work for publishing, I made phone calls to agents and publishers and sent my submissions via mail. I even submitted my children’s stories to Nickelodeon hoping to write for the hit show “Little Bill.” I started hand making children’s picture books, putting pencil sketched illustrations to words, in order to create visuals for the stories I wanted to share with young readers. During this time, I received rejection after rejection. Agents and publishers communicated to me that they couldn’t accept my work because I didn’t have a solid track record in publishing. I met an editor at an event who was seeking to publish poets. My first poem “Son of My Sun” was published in Essence Magazine’s December 1999 issue featuring Samuel Jackson and his wife on the cover. It was my first publishing experience and I was actually paid for it!

Years ago I heard the phrase, “What you put your attention on – grows.” This became true for me in my creative life. My poems were published in Essence several more times, as well as in literary journals, online and anthologies. I also published editorials and interviews online. Still, receiving a “publishing deal” through a book publisher was not something that was offered to me, and after a while I didn’t seek it. I kept writing, networking at author signings, attending conferences, reading, doing research, performing my poetry and saving money. Eventually, I taught myself how to self-publish. There was no one there to hold my hand through the entire process but I did receive support. I took writing workshops with the late, great poet, Louis Reyes Rivera and was mentored by Abiodun Oyewole of the Last Poets. I attended many of the Center for Black Literature’s National Black Writers Conference’s early panels and workshops. I later took children’s writing and non-fiction workshops at other centers in the city. I became a part of a community of writers who had academics and cultural consciousness in their backgrounds.

When I published my first book, Shedding Light From My Journeys in 2002, publishing became an act of community service for me and an added connection to my being an educator. My company, Lit Noire Publishing was founded in 2002. I became an author, publisher, cultural organizer and consultant all under one umbrella. I hired graphic designers and printers. I shared my book and the books of other authors with my middle school students in Brooklyn. Louis Reyes Rivera helped me edit my first collection. He gave me advice about selecting poems that relate to each other in theme. I had been performing on the poetry circuit in various cafes, arts venues and colleges. I was no different from many other writers and poets who wanted their work heard and read, but I made a conscious decision to publish my books because long after we are all gone, the books will still stand.

I am the author or editor of six books to date: Shedding Light From My Journeys (2002), Stardust Tracks on a Road (2005), Check the Rhyme: Anthology of Female Poets & Emcees (2006), Ten Marbles and Bag to Put Them in: Poems for Children (2010), Goddess Under the Bridge: Poems (2013) and Deanne in the Middle (2014). The anthology I edited, Check the Rhyme features 50 women poets from across the globe and was nominated for three awards: NAACP Image Award in Outstanding Literary Work – Poetry, African American Literary Awards Show – Poetry and Writer’s Digest Publishing Awards – Poetry. If your intent is to produce quality literature and share with a community of readers, your work will land where it is supposed to.

I have many writing projects that are “waiting” to be further worked on or picked up, including a few I am currently editing. Creation never stops when you have a passion for writing, but I am not interested in releasing a book every few months. I think each project should have its own space and time. A possible challenge in self-publishing is that you have to motivate yourself to use both traditional and alternative or creative methods of marketing and promoting your work. I have an entrepreneurial, pull myself “up by the bootstraps” spirit, so self-publishing and managing my work doesn’t frazzle me. But every writer may not be suited for it, because you do not have a publicist, manager and editor at your disposal 24/7 creating plans, representing your ideas and doing your bookings.

When you’re self-published, you become DIY all around and you have to be okay with that, including being okay with spending your money to fuel your ideas. However, I do support writers who have good experiences with traditional houses and I find value in it. It’s all about communities of readers and however you are able to share you work is what is most important.

To date, what I enjoy about publishing my work is that I have a certain amount of creative control and as long as I am here, my books will not go out of print. I have talked with writers who have had experiences with publishers who allow their works to go out of print. I do not know why that happened, but I thought it was unfortunate because we’re living in an age where our children need access to books in print to become literate. And one of our legacies is printed books. As an author, I love participating in programs with my books and interacting with readers – both youth and adults. There is nothing like discussing books and hearing about the interests of readers. I have been fortunate to participate in numerous literacy programs for youth, literary conferences and author signings where it has not mattered that I represent myself as an indie author. I have been a writer for fifteen years and I think I have shown my commitment to the work. But I have humility in knowing I still have much to learn and work to do. As a new children’s author, I believe there is great value in continuing to produce books in print, not just in digital format. When I teach workshops for youth, I bring my books with me as references and students enjoy paging through the books and reading from them. There is relationship that a reader has with a book, which digital reading cannot replace. You can curl up with a book and dog ear your favorite pages. You can make notes and symbols in books on the pages. And there’s nothing like the smell of a book – whether new or worn. I am also a big library geek, and I promote our young people to always have a library card and access books through the local library.
My new book Deanne in the Middle chronicles the experiences of 14-year old Deanne Summers who is starting her first year of high school.

Not unlike many youth, Deanne faces bullying, peer pressure and issues in conflict resolution during her first semester. I wrote the story to have a dialogue with young readers about conflict and having friendships with those who are different from you. So many students are bullied and harassed for being different.

I felt Deanne in the Middle was a worthwhile story to tell. This is a story I began writing in 2007 and I submitted it to agents in the past. I was told there was “no market” for my story. ditm-FRONT-vEBOOK-1 And when I workshopped the story I was told that my characters didn’t “sound black enough.” Well as an educated person who has worked with youth of diverse backgrounds, and whose family is also diverse, I really didn’t know what “black enough” was. How many “yo shortys” and “what ups” can you put in a young adult novel to make it believable? For me, not many. If I were a teen, I would become bored with a book written with lingo just to target me and I would feel that the author is patronizing and stereotyping me. And these are among my reasons for publishing my novel Deanne in the Middle, and not waiting another five years or so for someone else to find the “market” in my work. There is value in my story because I know the youth who I serve and young readers deserve to have a myriad of stories to choose from when selecting books to read.

I suggest to aspiring authors and writers for children to: (1) write often (2) have your work workshopped and critiqued and (3) attend literary events and conferences to network. There are times when I could not devote 100% of my time to publishing due to working and attending graduate school (I earned three Master’s degrees from 2006 to 2013 and have an M.F.A. in Creative Writing from The New School) but I realize that it’s all about the journey. The journey is filled with learning experiences – how I learn from other authors and what I have to teach. I made a market for my work and have felt privileged to share my writing with young readers and connect with like minded authors.

Thank you for this opportunity to tell my publishing story!

For more from DuEwa Frazier, visit her online at duewaworld.com.

What are you waiting on? Go!


Celebrating a Giant: Walter Dean Myers

July 15, 2014
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Photo of award-winning author Walter Dean Myers from his website: http://walterdeanmyers.net.

I’m so grateful I had the chance to meet Walter Dean Myers, a giant in so many ways. Before seeing him face to face, I met the award-winning author through his words – Brown Angels, Blues Journey, Looking Like Me. His writing embraced me, affirmed me, gave me that I-am-you-you-are-me nod that brothers and sisters exchange around the world. “Why do I love children?” he wrote in Brown Angels. “I think it is because the child in each of us is our most precious part.”

I saw his magic with kids first-hand at the African American Children’s Book Fair in Philadelphia. Children flocked to greet the legend and get their books signed. Brother Walter wore his National Ambassador for Young People’s Literature medal around his neck, not to show them who he was, but to show them who they could be. As each young person talked to him, Brother Walter seemed to see no one else. The child in front of him was who mattered. And each one knew it. Faces shone with grins. They leaned in to hear every word and left clutching their signed book, a treasure.

Brother Walter was a giant, a tall man with a super-sized heart. A man with huge talent who through his words, through his caring, through his commitment, made people of all ages feel like they could soar.

Today, we celebrate the incredible life and contributions of Walter Dean Myers, a literary giant who blessed the world with more than 100 books for children and young adults. Check out his complete bibliography here. We’re honored to feature essays from two of Walter’s friends, author and publisher, Wade Hudson and author Linda Trice. Their posts immediately follow this one. Let’s keep Brother Walter’s family in our prayers and honor his legacy by sharing his beautiful books, some of which were illustrated by his son Christopher.

Please post your memories and reflections about Walter Dean Myers in the comments. Thank you.

 


Walter Dean Myers–More Than an Outstanding Writer

July 15, 2014
deanandhudsons

Walter Dean Myers, Cheryl Willis Hudson and Wade Hudson sign books at a Toys R Us in NYC. Photo courtesy of Just Us Books.

By Wade Hudson

I was stunned when I heard that Walter Dean Myers had made his transition. During the 25 plus years that my wife Cheryl and I have been involved in publishing, it seemed that Walter was always “there.”     We started Just Us Books, Inc. in 1988 to publish more books for children that focused on black experiences.  Writers and artists such as Virginia Hamilton and Arnold Adoff, Eloise Greenfield, Patricia and Fred McKissack, Tom Feelings, George Ford, Leo and Diane Dillon, and of course Walter Dean Myers, had already blazed a trail as book creators that we would follow.  We were novices, in a way, learning the business of publishing on the fly.

Cheryl and I were somewhat brash, bent on making a difference, determined to correct the injustices we saw in publishing. One would think that Myers and the other trailblazers who had been at the forefront of the struggle to change publishing to be more reflective of who we are as a nation, would have been taken aback by the two new kids on the block.  But they were not. They embraced us and welcomed us. When Cheryl and I did a radio interview with Tom Feelings in 1990, Just Us Books had only published three titles. Tom was already an established artist, a celebrity really. But he treated us as equals, applauded our efforts and encouraged us on the airways. We received support and encouragement from the other trailblazers, too.

Tom is gone. Virginia Hamilton is gone. Leo Dillon and Fred McKissack are gone, too. And now we have lost Walter Dean Myers.

I will miss seeing Walter at Book Expo America, ALA, NCTE and the many other conferences where he often held court, sharing, urging, encouraging, directing, advocating…always trying to make things better. When Walter’s article, “Where Are the People of Color in Children’s Books?” appeared in the March 15, 2014 issue of the New York Times, many welcomed it as timely and much needed. But Walter had written an article that appeared in the New York Times in 1986, addressing the same concerns.  He was always at the forefront, involved in many initiatives, some that he organized himself.  He was determined to increase diversity in our body of literature for children. He also advocated for the inclusion of people of color in the offices of publishing houses.

In 1991, Walter, Cheryl and I worked together as jurors for a scholarship competition organized to identify talented writers and artists of color and introduce them to the publishing community. The fellowship competition was a part of Multi-colored Mirror: Cultural Substance in Literature for Children and Young Adults, a conference sponsored by the Cooperative Children’s Book Center (CCBC) at the University of Wisconsin in Madison. Walter also supported literacy programs offered by the Children’s Defense Fund, sometimes donating his own money. I watched as he connected effortlessly with the young people who attended the summer sessions there. Whenever a speaking engagement was set up for him, Walter made sure that juvenile detention centers, prisons and other programs for youth were included.

“I know what falling off the cliff means,” he once said. “I know from being considered a very bright kid to being considered like a moron and dropping out of school.”

Yes, Walter Dean Myers was a prolific, multi award-winning writer. As stated on his web site he“touched so many with his eloquent and unflinching portrayal of young African-American lives.” Walter visualized a better world. In the tradition of Frederick Douglass, he used words to encourage, empower, challenge, advocate and agitate for the change that would bring that world about. In that regard, for me, at least, he was a freedom fighter, too.

Reprinted with permission of Just Us Books.


Walter Dean Myers: “Reading is not an option”

July 15, 2014

By Linda Trice

WDM_and_Linda_Feb_2012

Linda Trice and Walter Dean Myers at the annual African American Children’s Book Fair in Philadelphia.

Tributes have been posted mourning the passing of Walter Dean Myers’s unexpected death on July 1, 2014. Many heartfelt ones are from readers who believed that Walter’s work spoke directly to them, reflected their life, understood their pain and guided them towards a hopeful future. People ask what they can do in remembrance of him. Knowing Walter and having read his books, or heard him speak many know the answer–inspire kids to read. We must remind young people and the adults who guide them of the importance of reading.

AMBASSADOR
Walter Dean Myers was the first African American chosen by the Library of Congress as the National Ambassador for Young People’s Literature, a two year appointment. He was also only the third person to receive this honor. His motto as ambassador for adults and kids was “Reading is not an option.” He told School Library Journal:
“As a young man, I saw families prosper without reading, because there were always sufficient opportunities for willing workers who could follow simple instructions. This is no longer the case. Children who don’t read are, in the main, destined for lesser lives. I feel a deep sense of responsibility to change this.” Publishers Weekly wrote that Walter believed that reading saved his life.

FATHER
Walter was raised by two good Harlem people, Florence and Herbert Dean. Walter gave them copies of his books and sadly learned that his beloved dad hadn’t read them. He later discovered why. His father, like many Black men of his generation had never learned how to read.

PRISON
Walter visited men and children in prisons while doing research for his award winning novel MONSTER. He realized that a huge percentage of them couldn’t read past an elementary school level. Some of them could barely read at all. He wondered how they could get a job when they were released. This knowledge resulted in prison literacy becoming one of his passions. Seeing the limitations of his father and those of kids in prisons helped shape Walter’s belief that the ability to read gives us power.

We should praise Walter and enjoy his books. Hopefully though many of us will reflect on Walter’s message and tell others: “Reading is not an option.” It is how we get power and a better future because in life reading is truly not optional.

Linda Trice is the author of Kenya’s Song (Charlesbridge Publishing). Visit her at www.LindaTrice.com.


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