An Author’s Journey to Getting Back in Print

October 12, 2014

©2014 By Eleanora E. Tate

cwp-tate

Photo Credit: Andy King

After Dial Press published my first book, Just an Overnight Guest, in 1980, I naively assumed that it would be in print forever. After all, Phoenix Films adapted it into a television film in 1983 and it aired on Nickelodeon and PBS’s Wonderworks all over the country. I don’t remember which year the hardcover went out of print, but it did, and without even going into paperback!

Since that time, eleven of my manuscripts have become published books, thanks to Dial, Bantam Books, Random House, Delacorte, Franklin Watts, Pleasant Company, Just Us Books, and others. Of the eleven, Just an Overnight Guest, A Blessing in Disguise, Front Porch Stories at the One-Room School, The Minstrel’s Melody, and Don’t Split the Pole: Tales of Down-Home Folk Wisdom went out of print. The books that went out of print quickest were A Blessing in Disguise and Don’t Split the Pole, though at least they made it into paperback before being kicked to the OOP curb.overnightguest

Hundreds — probably thousands — of books go belly up every year. That’s part of “the writing life.” But when it happens to your baby, it’s a shock.  I’ve heard that some writers take to their beds after suffering such catastrophes. I didn’t do that, but I’m sure that I sulked and fussed to myself for days.

Oh, Eleanora, “don’t you weep, don’t you moan”! Almost as quickly as my books went out of print, Just Us Books, the premiere publisher of books about children of color (but to be read by everybody), came to their rescue. It reprinted Just an Overnight Guest (1997), A Blessing in Disguise (1999), and Front Porch Stories at the One-Room School (2007).

Thank you, Just Us Book Publishers Cheryl and Wade Hudson!

The Minstrel’s Melody, published in 2001 by Pleasant Company in its American Girl History Mysteries series, was printed next by Windmill Press in its Mysteries Through Time series (2009), and is now also available through Open Road Integrated Media as a Mysteries Through History series e-book!

Dont_Split_backinprint-330Don’t Split the Pole: Tales of Down-Home Folk Wisdom (Delacorte 1997) was brought back to life by iUniverse.com in May 2014 as part of the Authors Guild Backinprint.com edition. I’ve been a member of the Authors Guild since 2003 but wasn’t aware that this service was available to its members! Thanks, Liza Ketchum, Hamline University faculty chum, for telling me about it.

In this collection I wrapped stories around impactful sayings I’d heard over the years. The stories/sayings are: You Can’t Teach an Old Dog New Tricks; Slow and Steady Wins the Race; A Hard Head Makes a Soft Behind; Never Leave Your Pocketbook on the Floor; Don’t Split the Pole; Big Things Come in Small Packages; and What Goes around Comes Around. These sayings can probably be found anywhere in the world. I set all but one of my stories along the North Carolina coast.

Proverbs and sayings are also known as aphorisms, mottos, Biblical expressions, similes, even rich brief anecdotes. They explain a truth or a moral, offer opinions, summarize an action or thought, or are phrases or tidbits of songs, poems or books repeated so often that they enter the lexicon. Every culture throughout the world has them. A proverb or saying can be applied to many dissimilar events, depending on how different people interpret it.

I hope to target teachers who work with middle-school and high school readers; writers who seek short story writing techniques; and folklorists, storytellers, and, of course, readers of all ages.

Although many sayings go back to the beginnings of language, I place the ones I use in contemporary settings to show young readers that they still have meaning in today’s world. One of my new favorites is today’s very real “It is what it is.”

If you want to reprint one of your OOP books think about these Tate Tips:

  1. Make sure that you, the author, have a reversion of rights letter from the publisher who published it. In fact, when you find out that your book has gone out of print, immediately contact your publisher (or your agent) and request a reversion of rights letter from the publisher. This will speed things up when or if you decide to take that reprint step, especially if your original publisher was a “traditional” publisher like Random House, etc.
  2. After you find a publisher interested in reprinting your old book (good luck!), insist on getting a contract from that publisher spelling out all details, including royalty rates, any revisions that the publisher — or you — desire, publication schedules, etc. It’ll probably be a “boilerplate” contract, with the benefits leaning toward the publisher, but that’s not new.
  3. If you don’t recognize a word or phrase in the contract ask. Never sign anything that you don’t understand or don’t agree with. In light of today’s changing publishing world, words like all rights, now and forever, known and unknown, electronic rights, and digital rights may have meanings different from what you know. Here’s where an agent can be invaluable, but if you don’t have one, or he/she doesn’t want to be bothered, do your homework and educate yourself. Writers groups like the Authors Guild, Society of Children’s Book Writers and Illustrators, the North Carolina Writers Network, and others might be your saviors.
  4. Suppose you DO plan to pay a company to reprint your manuscript. That’s fine, as long as you understand what you’re paying for, and what your and the company’s responsibilities are, including marketing, publicity, distribution, and payments. I met a woman the other day who said she signed such a contract, but didn’t know how or if she’d get royalties, didn’t have someone to edit her manuscript, and didn’t have NO money to pay the company. Don’t be like that woman!
  5. Market your book aggressively. Send out news releases, have blog tours, visit bookstores, make book trailers, and so on, or be willing to pay to have a professional or the company do this for you. Except for the big-name writing stars, most writers these days are expected to do more marketing.
  6. Be aware that certain computer software programs that some publishers may require you to use to format your manuscript – from pdfs to “jumpshare” file sharing, digital signatures, and more complex stuff — might drive you up the wall if you don’t know how to implement them.

No matter how you choose to reprint your book, remember that good writing is still good writing. Rewrite any part that’s weak. Find the best editor (or professional friend) who’ll help you with spelling, punctuation, paragraphing, overall revision, chocolate cake, and wholehearted encouragement.

And now I can give a sigh of relief that all of my books are back in print. Or they were as of this morning. Happy Reading!

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Interview with Arnold Adoff

October 3, 2014

By Alice Faye Duncan

Alice_Faye_PortraitAs summer came to a close, there was so much death and sadness around us. The sketchy details of Michael Brown’s murder plagued the news. Actress and activist, Ruby Dee died. Maya Angelou passed away at the top of the summer. And while writing this note, I just received word that J. California Cooper passed away today.

Like never before, we need a visitation of sunshine and good feelings to bolster us. And to this end, I reached out to teacher, poet, activist and lover of music, Arnold Adoff. Arnold is a noted anthologist. He edited the seminal collection of African American poetry, I AM THE DARKER BROTHER. For more than 30 years he was the devoted husband to award-winning children’s author, Virginia Hamilton.

I posed five questions to Arnold a week after the death of Michael Brown in Ferguson. His wise words offer writers and readers a way to find hope and joy, even in the face of trying times. Hear him with your heart.

dear alice:

virginia once said she wrote long and talked short…and i wrote short and talked long…..

your seemingly straightforward questions all require…. paragraphs and paragraphs of

PoetWatering13.08.14perspectives and details….think of monet setting up several easels in his garden

and going from one to another to continue painting as the day progressed and the light changed…..

but i will try and be short and honest at the same time….so:

What part does music play in my everyday life?

1. my various simultaneous lives have always progressed with musical foreground and background accompaniments….from the eurocentric so-called classical music playing in my home all day….to my discovery at a young age of bird and prez and mingus and much of progressive jazz and blues…their african roots and the myriad aspects of african american cultures and classes and literatures….

i met virginia through my friendship with charles mingus and i play his compositions several times a day at least….many times to be followed by monk piano performances….

each sunday morning there will be a mahalia album on the turntable…sometimes late at night i will kick back and sip some red wine and go from willie nelson to waylon jennings to joni mitchel to leonard cohen to nina simone to the last poets to meshell ndegeocello…

however….unlike many other writers of several generations…it is an absolute longstanding rule of my process that there is  n o  music playing while i read and research and rewrite and write…

What are the top five songs that bring sunshine into your day?

2. mahalia’s   didn’t it rain children….on a rainy day…of course stevie wonder’s you are the sunshine of my life….anything by ray charles….john lee hooker and lightnin hopkins and bessie smith…zep’s stairway to heaven…jeff buckley’s hallelujah….wade in the water….and on and on and on…depending on time of day and the placement of the easel…so to speak….the position of the sun in my life and the passion and yearning… and always the flash of love in  some dark room…in some dark mood….

If Nina Simone were alive today, how would she respond or what would she say about the murder of Trayvon Martin, Eric Garner and Michael Brown?

3. of course she would speak out and rant in her own powerful voice as she would introduce a piece and she would compose…but perhaps in that  mississippi goddamn approach and overview…..

i know there would be much weary deja vu edges around the words…

how many times…. bobby dylan wrote and sang….and in her time she was challenged and buffeted by countless racist  unspeakables and the drumbeat of murders and injustice and genocide and…to borrow the title from ralph ginzburg’s seminal collection…100 years of lynchings….

If Langston Hughes was alive, what would he say about the rap music playing on the radio?

4. to read langston’s poetry out loud is to sing incipient rap and hiphop foundation rhythms and beats…concerns and struggles…i can only assume given his all-encompassing racial and world view…that he would embrace hiphop nation as he embraced each succeeding generation of african american poets and versifiers…perhaps he might chide now and then….but if you read one of his later collections…the panther and the lash….he was not left behind…inside his soul and within his political and literary times….

When you find yourself missing Virginia, how do you uplift your spirits?

5. i live in this house in yellow springs we built together in 1969 where we raised our two superb  children…and i am surrounded by photos and medals and awards and rooms of floor-to-ceiling bookcases filled to overflowing with copies of her books…of files and speeches and her spirit and sense of pride and her striving for excellence and her unremitting honesty….

the w o r k   is all around me and our values and dreams…realized and unrealized as well….

our intertwined histories…our lives together of course….

it is too simplistic to say i miss  only  h e r…what i miss is being able to walk into her office and sit down and talk about something…some aspect of a book project…some opinion on a family or personal matter…or listen to her read me the latest chapter from her latest book….

and all of that and much more has been internalized…all of our lives together and my life since her passing….i need silence to think and work and poet…(really….one of the many things she taught me is how to take from life experiences of all kinds and use that as food as fuel to make some kind of art)….and within that silence is her voice and her face….

….the struggle continues….

arnold adoff                                                          yellow springs, ohio 

25 august 2014

ALICE FAYE DUNCAN is a school librarian who writes books for children and adults. Her newest book, Hello Sunshine—5 Habits to UNCLOUD Your Day is a happy pill for readers who want to keep themselves motivated and moving as they tackle the challenges of work, family, entrepreneurship and artistic ambitions.  Website: www.uncloudyday.com   Email: HelloAliceFaye@aol.com Twitter:  @HelloAliceFaye