Since Malaika Rose Stanley was first featured here in 2013, she has released a memoir, LOOSE CONNECTIONS, and another children’s book, WHILE I AM SLEEPING. The former teacher also compiled a list of books featuring multiracial families, and wrote about her decision to create that resource here. Malaika Rose Stanley’s work offers a glimpse into a window of the global Black experience, and as a child of immigrants, living in the U.S., I especially value her voice in the world of children’s literature.
Malaika Rose Stanley was born in Birmingham – Britain’s ‘second city’ – and now lives in the capital, London. She has been a teacher in Zambia, Uganda, Germany and Switzerland, as well as the UK – and at all levels of education including supporting autistic children in primary schools, teaching adult language, literacy, numeracy and creative writing, one-to-one tutoring, conflict resolution and teacher training. She has also worked as a researcher helping adopted people find their birth parents.
She is now a children’s author, whose books feature strong, positive African, Caribbean and Asian characters and reflect the cultural richness and diversity of family life, friendship groups, schools and society in general. Her work ranges from picture books to young fiction and she has recently had an adult short story included in the US-published anthology For Women – In Tribute to Nina Simone (ed Debra Powell-Wright). Her latest books, all published by Tamarind/Random House include Baby Ruby Bawled, Miss Bubble’s Troubles (2010 World Book Day Recommended Read), Spike and Ali Enson (2010 Book of the Year in The Independent national newspaper) and, most recently, the sequel Spike in Space. Skin Deep, the first novel in her Sugar and Spice series was published in 2011 and the second, Dance Dreams, is due to be published in the USA on 26 March 2013.
Malaika has been a Royal Literary Fund Fellow at London Metropolitan University and the London College of Fashion, a British Council Crossing Borders mentor for writers in Africa and a visiting author and workshop leader at various children’s literature festivals, Black History Month, World Book Day and other events. She has compiled a list of books featuring bi-racial characters published in the UK and the USA, which is available on her blog site.
It is truly a pleasure to kick off this year’s campaign with the very versatile Malaika Rose Stanley!
I first started writing for children when my two grown-up sons were young and I felt that there were too few children’s books with black protagonists published in the UK – especially those that featured and/or appealed to black boys. I have always loved writing, but I only thought about trying to write for children after I went to enroll for an adult education class in French! I was so impressed by a display of covers from books published by authors who had previously attended the Writing for Children class – including Malorie Blackman – that I signed up for both courses (although I have to admit that I ditched French after just one semester).
I progressed from the basic course to a follow-up writing workshop where the one criteria for joining was to have a ‘work-in-progress’. During that time, I wrote my first published book, Man Hunt, very slowly and carefully. My editor did not demand any revisions and made only a few, small editorial changes. It left me with a very distorted and unrealistic view of the publication process. My writing journey since then has been much rockier. After my first three books, I returned to teaching and had a ten-year break from publishing, so I have only been a full-time author for the past four years.
I’m giving my age away here, but my favourite books from childhood include
A Little Princess by Frances Hodgson Burnett, Heidi by Johanna Spyri and the Malory Towers series by Enid Blyton. The love of reading that these authors fostered in me continues to be an inspiration in my own writing.
As an adult, I have always admired and been inspired by the Australian children’s author, Morris Gleitzman, ever since I read one of his early books, Two Weeks with the Queen. I was impressed by his ability to write honestly about serious, challenging subjects but with humour and a lightness of touch. A couple of years ago, I heard him speak to about 6 adults and 60+ teenagers and he told us that the starting point for any story is to identify the biggest problem in the character’s life. He signed my copy of Now with the words, ‘G’day Malaika’ – which confirmed me as a die-hard fan.
All my own books start off based in reality, even when they stretch it to the limits and extend into fantasy, which is exactly what happens in Spike in Space:
Want a story that’s full of ALIENS and MONSTERS, and horrible, out-of-this-world smelly POO?
Then meet Spike! His adoptive family are from another planet, and now they’re taking him to live with them in SPACE!
Can he survive a new school, a horrible bully and a deadly attack from a hairy monster?
I wrote the first draft of Spike and Ali Enson many years before it was actually published. My manuscript went through many re-writes but I believe that tastes and trends within the publishing industry also changed. When I first started writing, the demand seemed to be almost exclusively for ‘issue-based’ books rather than stories that just happened to feature black characters – and there seemed to be little room for ‘genre’ books such as sci-fi or historical fiction. My experiences have certainly helped to cement my belief that authors should write what they know and love, rather than trying to write for the demands of the market which are likely to be inconsistent and difficult to predict.
I have been incredibly lucky to have secured deals directly with the publishers for all my books so far, but just over a year ago, I finally signed up with my first-ever agent, Catherine Pellegrino. The advantages were immediate in terms of the size of my admittedly still-small advance and meagre royalties for Spike in Space, but it’s a complete relief to be able to focus on my writing without diverting my creative energies into negotiations about money or foreign rights.
“This fast-paced action adventure… designed to appeal to those who like their stories to be tinged with fantasy, thrills and spills, all the drama unfolds in shortish chapters, with a range of galactic vocab and cartoon-like illustrations to add zing.” (Junior Magazine)
“In a hilarious sequel to Spike and Ali Enson, Spike is off to live with his adoptive family on another planet… The combination of everyday things with which all kids are familiar and the excitement of life in space make this a fascinating and enjoyable series, which also carries a strong message about the importance of families and the reassurance they give.” (Parents in Touch)
“This touching story of changes, new beginnings and dealing with difference is ideal for sharing with young children facing new experiences or beginning a new school year.” (The Book Trust)
My Brief Thoughts on the Industry:
I strongly believe that the children’s book publishing industry needs to actively challenge and reject the idea that books about black and ethnic minority characters will only appeal to readers from the same background. This view leads to the misconception that their commercial potential is limited and in turn makes it difficult for authors and others from diverse backgrounds to break into publishing.
The industry needs to accept that not all books by or about black people have to focus on the so-called gritty reality of racism or discrimination or identity – but that they should not ignore ‘issues’ if and when they arise in ‘slice of life’ stories – and have a wider approach in terms of ‘genre’, eg magic, sci-fi, thrillers, etc.
To find out more:
Visit Malaika Rose Stanley online at her Web home and on her blog.
Wonderful and inspiring words — thank you so much, Ms. Rose Stanley!