In 2014, he was already on his way to becoming “the” Jason Reynolds. Today–a mere two years, a John Steptoe Award, multiple CSK Awards, a Walter Dean Myers Award, a Kirkus Prize, a National Book Award Finalist sticker, and an NAACP Image Award nomination later–Reynolds has firmly cemented his status as a kidlit superstar.
Read on as we travel back in time to our seventh 28 Days Later campaign, revisiting the words of a pre-award-winning Jason Reynolds. Enjoy!
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Jason Reynolds is the author of two critically acclaimed books. My Name Is Jason. Mine Too: Our Story. Our Way. (HarperCollins, 2009), an autobiographical collaboration co-written with his friend and artist, Jason Douglas Griffin, was published in 2009 and received two starred reviews. His debut novel, When I Was The Greatest, was published in early 2014 by Atheneum Books for Young Readers. The novel has already been lauded by critics, receiving starred reviews from Publisher’s Weekly and School Library Journal. Kirkus also praised the novel, noting that Reynolds is “an author worth watching” and calling the novel “a moving and thought-provoking study of the connectivity among a family and friends that plays upon and defies readers’ expectations.” Please welcome Jason Reynolds to The Brown Bookshelf as he discusses his journey.
The Back Story
The back story behind the publishing of When I Was the Greatest is…well…an interesting one. I’ll try to shorten it, as to not spiral out of control (which happens often when telling this story.) Through a strange turn of events, I found myself without a place to live in New York, and was forced to move back home to my mother’s house. I was almost twenty-five years old, and there aren’t too many instances more demoralizing than returning home to your childhood bedroom — music posters still on the wall and everything — after trying to chase your dream. At least, that’s what I thought. Turns out, there was actually more demoralization just around the corner. I couldn’t find work. I mean, the recession was in full swing, my resume was all over the place, and I had never held any real job, so I ended up working in the stockroom of Lord & Taylor. It was my responsibility to unpack boxes and put sensors on every garment. EVERY garment. My shift was from three in the morning to noon, for a whopping $150 a week.
Meanwhile, I was working on my first novel, BOOM. I still had an agent in New York, and after BOOM was complete, I sent it to him. It took him about five months to tell me that it sucked (it was TERRIBLE.)
Shortly after my first rejection, I started a new job as a case worker servicing mentally ill people. There were twenty-seven people on my caseload, ranging from Schizophrenics, to drug addicts, and my job was to help them get back on their feet and assimilate back into society. I was also working on another novel — a dystopian tale about the island of Bermuda, a place that I had visited many times and had grown to love. My agent and I had parted ways by this point, and I decided to pitch it directly to a publishing house (had an insider) to see if anything would happen. This time, it took six months to tell me it sucked, but by then I was already on my way back to New York. My experiences as a case worker traumatized me to the point that I had to quit and was willing to take anything to get the weight of it and the stories of the people (the most amazing people I’ve ever met, by the way) off my shoulders. So I took a job, back in New York, selling jeans.
I had decided that I was going to quit writing. Maybe I’d push denim the rest of my life, or teach, or get one of those lucky New York City jobs that pay well to have fun. But there were other things in the cards. Christopher Myers, son of Walter Dean Myers, had become a close friend of mine when I lived in New York the first time (before the stockroom and caseworker stuff.) He and I were hanging out one day, and he asked me how the writing was going. I told him that I was done. No more writing. What he said next changed my life. He asked me, “When my father is done, who’s going to carry that banner, that tradition?” I suggested he do it. He suggested I do it. He told me to take one more swing, after all that I had been through, all that I had seen, all the people that I had interacted with and the stories that I had heard, and see what would come of it. What came was, When I Was the Greatest.
Walter Dean Myers has been a major inspiration for me. There’s something brilliant in the looseness of his language, though it actually isn’t loose at all. But it seems that way. He’s been able to write tight stories that still come across as eye-level, and human. And that’s my goal, to write slice-of-life, human stories about the communities that have made me who I am. And, of course, to make my mama proud.
I always begin with a theme or a particular story I want to tell. There are so many stories, and perspectives, and angles, and I spend a lot of time thinking of which ones I could do justice. Then I think of characters, and usually I pull right from my pot of friends and family, which, let me tell you, are a colorful bunch. It means a lot to me to make sure that every character is real. That these stories read like memoirs, each character, breathing. I typically start with the protagonist. I flesh him/her out pretty thoroughly, that way as he/she begins to live, he/she will tell me what happens in the story, who joins in on this journey, what twists and turns occur, etc. I do just as much observing of the characters I create, as I do writing them. To me, that’s the fun in it all, the adventure of conceiving a character, and then having it lead you through the story it wants to tell.
Others under the Radar:
So many. But if I had to name one, Sheri Booker. She’s the author of Nine Years Under, which is about her time working in a funeral home for nine years in Baltimore City. But recently, she mentioned that she was thinking about writing a YA novel. PLEASE SHERI! I think she’d be a serious asset, especially when it comes to a fresh take on YA for girls of color.