Day 23: Javaka Steptoe

February 23, 2017

Javaka Steptoe(c) Gregg Richards.jpgAs a young child, Javaka Steptoe served as a model and was the inspiration behind much of the artwork created by his esteemed father, the late John Steptoe. However, the young model went on to establish himself as an outstanding book creator in his own right.

Javaka Steptoe’s debut picture book, In Daddy’s Arms I Am Tall: African Americans Celebrating Fathers (Lee & Low Books, ), earned him a Coretta Scott King Illustrator Award, in addition to a nomination for Outstanding Children’s Literature Work at the 1998 NAACP Image Awards. Since that time, Steptoe has illustrated and/or written more than an dozen books for youth readers, collaborating with some of the top names in the business—Walter Dean Myers, Nikki Grimes, Karen English.

This past January, Steptoe won the 2017 Caldecott Medal for his picture book biography Radiant Child: The Story of Young Artist Jean-Michel Basquiat (Little, Brown), more than thirty years after his father won two Caldecott Honors. The book won many other honors, too, including the 2017 Coretta Scott King Illustrator Award, and multiple starred reviews.

Today we present Javaka Steptoe:Radiant Child_CVR_FRNT_medal3.jpg

Guest Post by Javaka Steptoe

The Journey

I am a second-generation artist, author illustrator.  Not sure if talent is something that gets passed down through the bones to one, or more child, or if it skips a generation but somehow the baton was passed to me. As a child I sat at my parents feet drawing and painting and asking questions on how to put the thoughts inside my head into physical form. This was just a part of me.  It was not something I just did when I was mad and had to get my feelings out, it was just how I breathed.  

On a spring day in 1992 at the behest of family friend Pat Cummings, I found myself at Lee & Low books with a very unprofessional portfolio.  In it, amidst a mountain of artwork were several drawings of children with men.  These included, a principal escorting two children to the office, a young child being carried on his fathers shoulders, and an adolescent looking back at his neighborhood in front of a car loaded with his family’s possessions. I believe these drawings became the inspiration for what was to become my first book “In Daddy’s Arms I am Tall.”   

The Back Story

My latest book Radiant Child: The Story of Young Artist Jean-Michele Basquiat was a force that created itself. I first had thoughts of creating a Basquiat book during a retrospective at the Brooklyn Museum in 2005.  Fast forward 5 years to 2010 my excitement about jean Michel was renewed after watching “Radiant Child” A documentary by Tamara Davis. Centered around unearthed Basquiat footage intersperse with interviews of collectors, historians, and artist; I was able to gain new knowledge of the politics and inner workings of his life. It also gave me greater clarity on how his mother influenced his art.  Their relationship became the focal point of the story.

Once I figured that out I then spoke to my agent about the idea and he got excited. Then he was having dinner with Cindy Egan who at the time was an editor at Little, Brown.  She recently saw Radiant Child so the subject of Basquiat came up.  In the middle of their conversation she said, “someone should do a children’s book about Basquiat.”  I could not have made up a better story.

The Inspiration

Basquiat.jpg

Jean-Michael Basquiat

“I don’t think about art when I’m working. I try to think about life.” Jean-Michel Basquiat

Life inspires me, when I illustrate I think about life. I use my memory and if i have no context I seek encounters and situations that will  help me understand. I think about the myriad stories that are happening at any moment in time in any illustration.  Those are the things that make a good piece of art great. If you are only creating the words of the author when your illustrating then you are doing a disservice to the story.

The Process

My process is step by step. I start with an idea, then I research and brainstorm to see what I can discover.  With Radiant Child I had the initial idea of creating a book about Basquiat.  I knew I wanted to focus on his childhood but I had to find what I call the meat of the story.  This was the thing that the story could not do without. The meat came when I found the quote “my mother gave me the primary things my artwork came from her.” It explained so much about Basquiat and his actions. You could never say you knew Basquiat if you did not know this.  At this point I created a lose outline then wrote and edited and wrote until I had something to show. 

The Buzz 

d2aa618fd2258305d7bfe46d3280a1e8.jpgThe response to the new book has been incredible.  Winning both the CSK and the Caldecott Medal is mind blowing.  I’m still figuring out what this means for my life, but I do know that this will give me more access and the ability to create the projects that I am passionate about.   

 


Day 23: Jason Reynolds

February 23, 2017

403685768_th.jpgAward-winning author and poet Jason Reynold offers a plan for “people, young, old, and in-between, who hate reading.” His plan: NOT WRITE BORING BOOKS. Since entering the field of youth literature in 2014, he has kept to his plan.

Reynolds is the author of critically acclaimed When I Was the Greatest, for which he won the Coretta Scott King/John Steptoe Award for New Talent; the Coretta Scott King Honor books Boy in the Black Suit and All American Boys (cowritten with Brendan Kiely, also the winner of the Walter Dean Myers Award); As Brave As You, his stunning middle grade debut that was a Time Book of the Year and winner of the Kirkus Award; and Ghost, the first book in his middle grade Track series, which was also a National Book Award finalist.

He lives in Brooklyn, New York and is working harder than ever to make good “bad gifts” for young people.


Day 22: Salva Dut

February 22, 2017

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More than two decades of civil war in Sudan caused much trauma, displacement, and destruction. Children were forced to flee the country, and many of the boys became known as “The Lost Boys of Sudan”. In the midst of the pain, stories like Salva Dut’s shone. From the Water for South Sudan website: “As an 11-year old Dinka from Tonj in southwest Sudan, Salva fled first to Ethiopia. Then later, as a teenager, he led 1500 ‘Lost Boys’ hundreds of miles through the Southern Sudan desert to the Kakuma refugee camp in Kenya. That courage and heroic perseverance continue to this day. Relocated to the United States in 1996, he now leads Water for South Sudan, Inc., the non-profit organization he founded in 2003.”

Salva’s story was told in Linda Sue Park’s bestselling and award-winning 2010 novel, A Long Walk To Water. Park combines Salva’s true story with the story of the fictional Nya, who walks for hours each day to get water for her family. Working from research, Salva’s own writing, and finally, interviews with Salva himself, Park worked with Salva Dut to tell his remarkable story. Though she’d never been to Sudan, Park believed in shining a light on Salva’s story: “One of my biggest hurdles was writing about a place I’d never visited myself. That had always been a deal-breaker for me in the past, and it remains so today. It was a tough decision to make, but I decided that if I stuck *like glue* to the information that Salva had given me, I could break that ironclad rule JUST THIS ONCE.”

Salva Dut now leads Water for South Sudan, Inc., the non-profit organization he founded in 2003. Today, on the Brown Bookshelf, he reflects on the impact of sharing his story and the phenomenon the book has become. (BBS Note: Check out some of the thrilling “Success Stories” from readers who were inspired by Salva’s work — it’s wonderful what sharing a story can do.)
salvalindasue

What has surprised you most since the book’s release?
The number of copies sold! And how much the book impacts people. The story touches people so deeply. People sometimes cry when they meet me.

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Water for South Sudan is headquartered in both South Sudan and New York State. How are people involved at each location? How can young people get involved in this work? What advice do you have for young readers who want to engage in activism?
Water for South Sudan is headquartered in Rochester, New York, and we have our Operations Center in Wau, South Sudan. The Rochester office handles all of the fundraising, and a lot of the administrative details. All donations come through our Rochester office. We also handle all the communications, including our website, social media and mailings.
Our Operations Center handles the hard work! They have a compound in Wau, where we store our vehicles and equipment during the rainy season. Our operations center handles all of the drilling, hygiene and rehabilitation work, and have begun researching how we might do sanitation work. Our team has an office there, and communicates with our Rochester office from there.
Young people can spread the word about our work! Follow us on social media, tell your friends and family about us, and suggest that people read A Long Walk to Water.
For readers who want to engage in activism I say Do it! This is your world. You can make a difference.
My message to all children is to stay calm when things are hard or not going right for you. You can overcome those things if you have hope, faith, and perseverance. You will find people who will help you succeed. Also, value your education and do whatever you can to make life better for others.

What have been some challenges in the work that you do? How have they changed (or remained the same) over time?
It is always a challenge to work in Africa, and specifically in South Sudan. The temperature is very hot. There is also very little infrastructure in South Sudan- very few roads, and no places to buy supplies or have our equipment and vehicles repaired. Our team members have to be very resourceful.
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Tell us a bit about your day-to-day work. As an entrepreneur and activist, what kinds of habits have you cultivated? What are your routines? Do you have an office or other location that works best for you?
My day to day work varies based on where I am. Sometimes I am in Wau with our team, helping them to plan and brainstorm. Sometimes I am in Juba, the capital of South Sudan, and meet with government officials to help Water for South Sudan get the permits and customs clearances to do our work, and sometimes I am in Kampala, Uganda, where we do our banking and buy our major supplies.
I must always be patient, and always be ready to operate on “African time.” Things often take much longer than they would in the US. I must always be thinking of different ways to get things done, or of working with different people who can help me. I must often be a good problem solver.
I come to the US about two times a year. I do not like it when it’s cold, which, for me would be below 70 degrees! I also do not like the snow. I like it when the weather is hot—over 90 degrees is very nice for me.

Are there any books, stories, or people that inspire you and your work?
I like to watch documentaries, and like to learn about people doing good work in our world.
One person I have admired in my life is John Garang de Mabior. He was a leader in the Sudan Liberation Army and also served as First Vice President of Sudan for a very short time before he died.

What else would you like us to know about you and your work?
I am so grateful to all the people who have helped me in my life. My family in South Sudan, my American family and friends, and all the people who have donated money and raised funds for Water for South Sudan. My team members in South Sudan are now doing the hard work of drilling and rehabilitating wells and I am so grateful for their commitment to Water for South Sudan. I could not have done any of this alone.


How can educators best share your work and message with their students and families? Are there resources you’d recommend that they use?

I think Linda Sue Park’s book has been such a wonderful gift for Water for South Sudan. It has taken our story across the US and around the world. I think it’s an excellent way for people to learn about our work. I think teachers and students and families can also learn more about Africa. It’s a very big place! South Sudan is just one of 54 countries on the continent of Africa.
I also think it’s important for people to learn more about water in our world. Water is becoming such an important resource, and I think the current generation should be paying attention to how we use water in our world.

Where Do We Go From Here?
I think that the people of our world, particularly young people, need to learn how to get along. This is not just a phrase or saying. We need peace in our world, and peace begins at home, and in our hearts. If young people can learn how to solve disagreements, and learn how to get along with people who are different, then I think we have a hopeful future.
I am very hopeful when I meet so many young people who are inspired by A Long Walk to Water, and want to help others.

Don’t miss Salva’s powerful TED talk, “I Kept Walking.”

Resources for Educators and Families from Water for South Sudan.

Thank you for sharing your story and inspiring so many, Salva!


Day 21: Rita Williams-Garcia

February 21, 2017

rita-hcFor my 28 Days Later post this year, I decided to change things up a bit and make this a little more personal. Our first inspiration post is focused on Rita Williams-Garcia. I’ve known Rita for ten years–she is an author, a teacher, a mentor, a big sister, and a wise and valued friend. She has been an inspiration to many writers, including myself. She is the reason that so many of us are authors today.

Rita Williams-Garcia had been writing for over 30 years, with titles that range from picture books to young adult novels. Personal favorites include Every Time a Rainbow Dies (HarperCollins, 2001), a lyrical love story about a boy named one-crazy-summerThulani and a girl named Ysa–both of whom have seen their fair share of challenges yet still rise to overcome them. And, of course, there is Rita’s more recent Gaither Sisters Book Series, beginning with One Crazy Summer (HarperCollins, 2010). The three novels,
featuring Delphine, Vonetta and Fern, have won multiple awards among them, including a Newbery Honor, a Scott O’Dell Award, and multiple Coretta Scott King Author Awards.

What I most admire about Rita’s work is her ability to cross genres. You never know that you’re getting from Rita next–a fun picture book, a gritty love story, a humorous historical novel–whatever it is, Rita can write it. Yet with each story, Rita embodies the text with a truth and realism that is lacking from many other novels. Rita writes about real people in the real word. When I see the Gaither girls, I see my sister. My cousins. My daughters. Rita creates characters–Black characters–that showcase who we are and who we can be.

clayton-byrdI’m excited about the new Rita Williams-Gacria novel coming this summer, Clayton Byrd Goes Underground (HarperCollins, 2017). From the publisher’s website:

Clayton feels most alive when he’s with his grandfather, Cool Papa Byrd, and the band of Bluesmen—he can’t wait to join them, just as soon as he has a blues song of his own. But then the unthinkable happens. Cool Papa Byrd dies, and Clayton’s mother forbids Clayton from playing the blues. And Clayton knows that’s no way to live.

Armed with his grandfather’s brown porkpie hat and his harmonica, he runs away from home in search of the Bluesmen, hoping he can join them on the road. But on the journey that takes him through the New York City subways and to Washington Square Park, Clayton learns some things that surprise him.

I leave you all with this note that I sent to Rita’s long-time editor, Rosemary Brosnan, about my time working with Rita:

I had been a big fan of Rita’s for years (EVERY TIME A RAINBOW DIES is one of my favorite books), so I was thrilled when I learned I’d be working with her during my second semester at Vermont College. She was the queen of contemporary YA, and I couldn’t wait to dive into my latest YA manuscript with her, the novel that eventually became SAVING MADDIE (Delacote Press/Random House, 2010).

Rita was happy to work on the novel with me—with her help I greatly fleshed out the secondary characters in the novel—but surprise, surprise: my YA manuscript wasn’t the only project I’d be working on that semester.

Rita told me that it was time for me to grow. To stretch. To try something new.

Rita told me that I was going to write a picture book.

And I did. Word by word. Page by painful page. And another surprise–I liked it.

Of course, she didn’t teach me how to write *just* a picture book. She helped me think about the economy of words, the importance of word choice, the balance between poetry and prose, and one hundred other things I won’t try to list here. One hundred other things that will enhance every future novel (and picture book) I write.

That’s Rita for you—a genius in commoner’s clothing.

What I failed to mention in the note was that I started one other project with Rita–a fun caper novel about a crew of teenage con artists. That book, The Great Greene Heist, would not have existing without Rita.

Rita Williams-Garcia is one of the greats. She is my inspiration. I am privileged and honored to call her my friend.

 

 


Day 20: Michael S. Bandy

February 20, 2017

A screenwriter and actor, Michael S. Bandy’s first children’s book began as an idea for a movie short. Inspired by his agent, he and co-author Eric Stein began the hard work of creating a picture book instead. That decision would launch a new career. White Water (illustrated by Shadra Strickland, published by Candlewick), their children’s book debut, became an award-winning title that was turned into a TV movie.

Since then, Michael and his writing partner have written two more books for kids – the acclaimed Granddaddy’s Turn and the forthcoming Northbound, both published by Candlewick and inspired by Michael’s life. We are proud to feature Michael on Day 20.

The Journey

My foray in publishing has been one of exhilaration and wonderment. It began over 30 years ago when I was an NBC Page. There with my future writing partner, Eric Stein (who was a Page as well), we attempted to come up with writing projects. At the tbandyime, there was a publishing genre fad called “novelty books.”

Novelty books basically lampooned current events. Titles like “The Yuppie Handbook” and “How to Be a Buppie” saturated bookstore shelves. I wanted to be part of that success. I (we) wrote several unpublished titles including: “How To Make Extraterrestrial Pen Pals” “The Deposed Dictators Job Hunting Guide” and “You Know You’ve Been Unemployed Too Long When” to name a few.

We went through the process of query letters and meetings with publishers with no successes. But things turned around when we took a meeting to pitch one of our ideas to publisher, Price Stern Sloan. Then, Senior Editor Spencer Humphrey told us that while our manuscript wasn’t for them, she thought we were pretty good writers. “Keep writing and I will be willing to read whatever you come up with,” she said. Nearly fifteen years later, Spencer became our literary agent.

“Write what you know about,” Spencer said. It turns out that was the best advice I ever received as a writer – and that’s exactly what I did. I reached back and chronicled events that happened during my childhood while growing up in Opelika, Alabama. I wrote about those things that were impactful and life changing.

White Water came out of an incident with a Whites Only drinking fountain. Granddaddy’s whitewaterTurn was based on an experience I had with my grandfather attempting to vote for the first time. Northbound was about me and my grandmother’s first train trip as we meandered throughout the segregated south traveling to Cincinnati, Ohio. The spin on these experiences was that they were told from a child’s perspective – that was the winning formula that propelled my writing to another level.

White Water, my first manuscript, was purchased by Candlewick Press and published on August 23, 2011, the day after my birthday – what a birthday present. Published in hardback and soft cover, it’s been nominated for an NAACP Image Award, made into a screenplay and then an award winning made for TV Movie by TV One which was also nominated for an NAACP Image Award – Best Screenplay for a Motion Picture.

My second title, Granddaddy’s Turn: A Journey to the Ballot Box, was also published by Candlewick Press in 2015 and has garnered several publishing plaudits and reviews including: Kirkus Reviews, New York Times, Los Angeles Times, The Horn Book and School Library Journal. Granddaddy’s Turn was honored with an NAACP Image Award Nomination for Excellence in Children’s Literacy.

granddaddypicOur most recent Candlewick book is entitled, Northbound. The title is going through the editorial phase which includes the selection of an illustrator and the determination of a publishing date.

I am so happy that I’ve taken up this mantle called writing. Whether my inspiration came to me from a previous life experience or perhaps a story ripped out of a current headline – the process is the same, it completes my soul and ultimately my expression.

Lastly and most importantly, I haven’t made this journey alone – I have to give homage to my agent, my writing partner, my family, my illustrators and the thousands of folk around the planet that have taken our books to heart and shared them throughout.

The Inspiration

Inspiration is an interesting phenomenon. I like to refer it as that spark or whack on the side of your head that causes you to do something. I have learned that inspiration can be elusive – you have to catch it, hold on to it and make it a reality and most of the time it’s never easy. As I mentioned earlier, most of my literary ideas have been born out of my childhood experiences.

I grow up in the Deep South in the early 60’s. This period in time has been most fascinating as it was the crossroads of a myriad of changes: civil rights, voting rights, women’s rights, Viet Nam, the list goes on. I wanted to talk about these events but from a child’s perspective.

I knew what it felt like drinking from segregated fountains and riding in the back of the bus. I wanted to say how I felt and more importantly how I viewed the world around me. For example, in White Water, the protagonist Michael discusses not the indignity of paying your fare, exiting the bus and going to the back, but the inefficiency of it all.

Michael’s message is the same but more palatable and less “preachy” at least from my perspective. Don’t lose your inspiration because the process seems insurmountable. Like anything, we want our efforts to pay off. But when the marketplace says who will buy that and every publisher you have submitted it to turns you down, inspiration is that catalyst which motivates you to keep writing.

The Back Story

Our agent once said, “Selling a kid’s book is just like threading a camel through the eye of a needle.” While she borrowed part of her comment from a literary title more lofty than mine, I understood exactly what she was saying completely – it’s hard.

White Water didn’t start out as a children’s book manuscript but it came out of another format, a short screenplay. Our White Water screenplay was shown to our agent who suggested that it would make a wonderful kids title – one problem, how do you write a kids book when you have never written one before. Eric Stein and I researched all the information we could. We spent lots of time, sitting on the floor of bookstores watching what parents were buying for their kids and more importantly what kids enjoyed reading.

After several incarnations (45 to be exact) of the manuscript, our agent took the best of the best and sent it out to five publishers and Candlewick Press said, “we want this.” Over the next five years, yes five years, an NAACP and Coretta Scott King award winning illustrator (Shadra Strickland) came aboard and in August of 2011, White Water became a reality.

Granddaddy’s Turn: A Journey to the Ballot Box came about after the urging of an audience member who heard me tell the story of my experience of going with my grandfather to vote for the very first time. She told us, “I don’t care whatever project you are writing, you have to write this story.” We took her up on her suggestion, wrote it and presented a manuscript to Candlewick and it was published in 2015.

Northbound is our latest book. It will be illustrated by the award-winning artist James Ransome, who also illustrated Granddaddy’s Turn.

Under The Radar

Writing a children’s picture book is twofold. There is the written word and there are the individuals who interpret those words graphically called illustrators. There is no way White Water and Granddaddy’s Turn could have garnered the accolades that they have without the extraordinary talents of illustrators Shadra Strickland and James Ransome.

While these artists have different styles, they both put their creative stamp on our projects causing them to leap off the page.   We were amazed on how our illustrators came up with the ideas they did. In either case, the publisher discouraged any formal artistic communication with the artist and after doing this for a while; this was probably for the best. This way, the illustrator has the opportunity to showcase their vision.

The horizon is replete with several African American Writers and Illustrators with varying degrees of success. Some of my favorites are Renee Watson, Christian Robinson, and Crystal Allen. I love the books which have been illustrated by Jerry Craft and penned by Sabrina Carter. Her titles My Hair is Curly and Please Don’t Yell at We are just wonderful.

Oh course, Keith Frawley, Brian Pinkney and Kadir Nelson are the standard bearers for our industry.

Learn more about Michael here.

 

 

 

 

 

 

 

 


DAY 19: Anaya Lee Willabus

February 19, 2017

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As an author / illustrator, there’s nothing like looking back at the books I’ve done to make me feel proud. And when I think that I published my first book way back in 1997, there’s nothing quite like that to make me feel old. With the possible exception of interviewing Anaya Lee Willabus, who is all of 9 years old! Once I got over that, it was indeed a pleasure to share the spotlight on this up-and-coming author.

So without further delay, The Brown Bookshelf would like to introduce you to today’s star of 28 Days Later: Miss Anaya Lee Willabus.

Enjoy!

The Process: How do you work? Do you start with a character, a concept, an idea? Do you outline first or just go? Is there a technique or routine for drafting or revising that you find particularly helpful? Do you have an office or other location that works best for you?

As for me, ideas for another book are always flowing through my head. When writing my books, I would sit and jot down my ideas so that I do not forget them.  Thereafter, I would re-read and make the necessary changes.  When I was about five, I would put together small pieces of pages and write mini stories about various topics. I knew as I grew that I would be an author. The interest in writing has also captured my attention. Also, I walk with a special notebook to school so when ideas pop up, I would write them down. Overall, I am a ‘write as I go’ type of author, however, I usually have an idea of what my story will be about.

The Journey: Discuss your path to publishing.

My first book was inspired by my trip to Guyana, South America. My parents were born there and they wanted my siblings and me to visit and learn about our Guyanese culture. Upon my visit, it was beyond my expectations. Guyana was truly a difference from what I was accustom to in the USA. Not only was there an abundance of fresh fruit trees everywhere, and summer weather every day, but the celebrations for holidays were done differently. We spent the 2014 Easter holiday  there, and it is part of the Guyanese tradition to fly kites and host picnics with family and friends. That was my first time flying a kite. Overall, my trip was not only awesome, but the cool part was I had a ton of creative book ideas that I needed to write down.  Eventually, my parents saw how serious I was about my idea of writing my first book and they decided to support my initiative. Since my parents were not familiar with the process, it took me about one year to complete the entire process of my first published book.  I would write after school and on the weekends.

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Under The Radar: Share the name(s) of authors or illustrators of color who you believe are rising stars.

Firstly, I prefer to read a mixture of fiction and non-fiction books. It is important to learn from different authors’ perspectives to feed my mind. I am not sure of names of other upcoming authors and illustrators, but I do have my own favorites who are already established.

If I have to give a name of one of the favorite illustrators, I would have to shine the light on Mr. Frank Morrison. He is one of the best children’s book illustrators in my opinion.  Not only is he a master at his craft, but he is a great person. I had the honor of meeting him a few months ago at the African American Museum and Library in Oakland, California.

When it comes to authors, there are many that stand out. I have read in excess of six hundred books and there are so many great pieces of literature. Sharon Draper’s book ‘Fire from the Rock,’ was a great read. Jacqueline Woodson’s book, ‘Brown Girl Dreaming’ was an excellent piece on what went on in the 1960’s as an African-American child.  ‘One Crazy Summer’ by Rita Williams-Garcia was another great story. Also, just to add a few more names, I had the pleasure of reading the works of some great civil rights activists like Frederick Douglass, W.E.B. Du Bois, George Washington Carver and many more. ‘Dreams from My Father’ by Barack Obama was an interesting take on how the former president grew up and his path to being the great man he is today.

 

The State of the Industry: Share your thoughts on the state of kidlit by authors of color specifically, or more generally, your views on children’s book publishing.

Throughout my years of reading, there have been many interesting books, but not any that I found by children of color, besides myself. However, I was always encouraged by my parents to read history books. According to my parents, it is important to learn the facts so that I would be furnished with the knowledge of the past and appreciate the people who created the opportunities for me, today.

Upon visiting the library, I do not recall seeing nor reading any books written by African-American children, thus far. This finding was one of my motivations for publishing my books. Also, I could not find books that told stories of my Guyanese culture nor heritage from a child’s perspective.

I think that the big publishing companies focus more on the ‘Quantity’ rather than the ‘Quality!’ In other words, it is more about what sells first and not necessarily what the content has to offer the readers. Most books for children my age focus on picture books while others focus on keeping children in a dream world.

I enjoy writing ‘realist fiction’ books since it gives the readers an opportunity to dive into something different. It is my hope that publishers read my work and appreciate the uniqueness of what I offer.

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The Buzz: List reviews/honors, trailers, etc. for featured book(s)

Here are some websites and additional links about my books.

New York Daily News

http://www.nydailynews.com/new-york/brooklyn/meet-9-year-old-author-wrote-book-article-1.2544250

PIX 11News

http://pix11.com/2016/03/03/9-year-old-brooklyn-girl-is-youngest-published-chapter-book-author-in-u-s-history/

Huffington Post

http://www.huffingtonpost.com/entry/9-year-old-is-the-youngest-published-chapter-book-author-in-the-us_us_56e6c5d5e4b065e2e3d66d0e

News 12 Brooklyn

http://brooklyn.news12.com/news/9-year-old-brooklyn-girl-is-new-york-s-youngest-author-1.11247003

 


Day 18: Benjamin Zephaniah

February 18, 2017

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I read in an interview with Lynn Baber in 2009 that Benjamin Zephaniah lives in England for seven months out of the year, the rest of the time he lives in China. Wow, that sounds like an interesting guy. Reading more about him, proved that thought to be true. He is a poet, novelist, lyricist, musician and a Tai Chi follower.

Zephaniah is the author of several young adult novels. Terror Kid (Hot Key Books, 2014) tells the story of Rico, a computer whizz kid. He wants to help during the English riots, but he also doesn’t want to attract trouble. Can he use his computer skills to help? Is the new guy, Speech, the answer? Read more about Zephaniah here The Guardian . terror-kid-final-cover-180x276-1

faceZephaniah is also the author of Face (Bloomsbury Children and Teen; Reprint edition 2004). Marin Turner’s face is badly disfigured in a horrific car accident. Taunted with names like “Dog Face” and losing his girlfriend add to his misery. As a white person, it is Turner’s first time to face discrimination. Teens will identify with with Turner’s struggle for acceptance as they struggle to fit into their own world.

 

 

 

FACE

“A worthy subject that should give kids plenty to think about.” –Kirkus Reviews
“This book will not only be enjoyed by teen readers for its entertaining story, but also for its statement about prejudice. Zephaniah is not just telling a story of a brave and inspiring young man, he is also teaching readers an important lesson through the voice of Martin.” –VOYA

 

TERROR KID 

“A powerful novel about justice, trust and idealism gone wrong that will make you look again at your definition of a terrorist. Labour Research A powerful, accessible and revelatory novel with its finger firmly on the pulse of contemporary social and political issues. Liverpool Echo”

 

englandFor more about Benjamin Zephaniah’s career, visit his website .

 

 

 

 

 

By Gwendolyn Hooks