What is a purveyor of awesomeness? If you saw one walking down the street would you know? Let me help you out. Just look at the picture to the left. When you write novels about butt-kicking females with a Greek mythology backdrop, you can put “Purveyor of Awesomeness” on your website next to your name because you’re bound to turn heads! She turned ours, and that’s why on this 24th day of February, 2015, The Brown Bookshelf is honored, and excited to spotlight:
How do you work? Do you start with a character, a concept, an idea? Do you outline first or just go? Is there a technique or routine for drafting or revising that you find particularly helpful? Do you have an office or other location that works best for you?
I am a complete and utter pantser (meaning I don’t outline). So my writing process is deceptively simple and completely insane:
- I come up with the basic idea (not a plot, just a general idea). Example: Dexter meets Greek Mythology.
- I write the first 30,000 words or so. Generally the entire first act heading into the second (my books are generally between 80,000 and 90,000 words).
- I write the ending so I have a direction. Otherwise I would just keep writing with no end in sight.
- I fill in the gaps.
- Revisions! Smoothing out the plotholes, making sure plot threads make it the entire way through the book, etc.
If the process sounds disorganized, that’s because it is. I see writing as a kind of archeology. The process of uncovering the story is just as important as the story for me, which sounds a lot prettier than it is in reality. There is usually swearing. And lots of swearing. To be honest my process has been different for each story, but there is always swearing.
I think that’s what makes it fun, the spontaneity of it all! Or maddening. Sometimes it is both fun and maddening, which explains the swearing.
I mostly write at home, in the evenings and in the mornings before I head to work (I have a day job that is not writing related). My writing locations are the office I share with my husband within my home and the dining room table. Not sure why I like writing at the dining room table. Maybe because it’s right next to the kitchen and therefore close to the food.
I actually write a lot of my stories based on music, which sounds weird. But sometimes hearing just the right song will inspire a feeling that drives my story.
Vengeance Bound, my first published story, was sparked by the album American Idiot by Green Day.
Promise of Shadows was pretty much entirely written to three albums: What to Do When You are Dead by Armor for Sleep, Juturna by Circa Survive and On Letting Go by Circa Survive.
My most recent story was inspired by Rage Against the Machine’s Evil Empire, so you can pretty much imagine what that is like. For me, music is a huge part of my process. I listen to music when I write, and I actually find it pretty hard to write without it.
As for writers who inspire me, I love Courtney Summers, Jenny Han, Justina Chen, Nova Ren Suma, and Alaya Dawn Johnson.
Under The Radar
Brandy Colbert’s Pointe is a book that I think has not gotten nearly enough love. Theo’s journey is just plain heartbreaking, and I hope lots of good things happen for that book in 2015.
I’m also a huge fan of LR Giles, Stephanie Kuehn, Elsie Chapman, Lydia Kang, and Maurene Goo. I hope all of them continue to write fantastic books. And I hope people continue to read them.
The State of the Industry
I honestly think that the industry is really at a pretty important decision point. The We Need Diverse Books campaign has done a good job of shining a light on the challenges within the publishing industry with regards to diversity and how we can all do better. There’s a lot of talk about increasing diversity, not just with regards to the books being published but also with regards to the staff at the publishing houses. But right now I feel it’s more lip service than reality. Everyone thinks diversity is important, but it seems like few people are actually challenging themselves to make it a reality. If the big publishing houses want to cater to people of color they need to make a commitment to doing just that. And they need to publish books that reflect diversity across the board, not just a couple of issue books every season or diverse books ghettoized under a specific imprint. Where are my black Katnisses? Or my Latino Harry Potters? I’d love to see more books that really push the envelope and break out of the old models, books like Alaya Dawn Johnson’s Love is the Drug, which is a book that talks about race and class but also has a pretty amazing storyline as well.
Of course, there are publishers like Lee and Low that have always been committed to diversity and that probably don’t get nearly enough credit for what they do. But in an ideal world I’d really like to see publishers like Lee and Low rendered obsolete. I’d like it to be easier to find a book with a character of color than a talking animal or some mythological creature, but I think right now we’re a few years away from that goal.
Thank you, Justina, for your contributions to Young Adult books!
Learn more about Justina Ireland by visiting her website: http://justinaireland.com
Follow Justina Ireland on Twitter: https://twitter.com/tehawesomersace